Sunday, October 30, 2011

A Midsummer Night's Dream - Stratford 2011

A MIDSUMMER NIGHT’S DREAM – ROYAL SHAKESPEARE COMPANY, RST STRATFORD, SATURDAY 29TH OCTOBER 2011
Long awaited and booked as soon as Charles Spencer’s ecstatic review of the ‘Dream’ appeared after the first performance in July, we trekked to Stratford-upon-Avon for the full Shakespeare experience.  It was high praise indeed to suggest that Nancy Meckler's production was a new dawn of MND productions in the same mould as the groundbreaking Peter Brook ‘Dream’ of 1970.  After some research, we decided on a background walk the day before, taking us from Snitterfield over the Welcombe Hills, where Shakespeare is thought to have purchased the rights to some tithes with money earned from his theatrical life in London.  There is documentary evidence of a dispute over inclosure of common land, though precisely what happened is unclear.  David Hare, of course, given his political leanings, decided that Shakespeare must be the villainous landlord of the piece in his play ‘Bingo’, and it was hard not to shout Bingo, every time we came upon some neatly clipped yews or some Elizabethan half timbered cottages...
It’s some years since I was last at the RST, and opening this year, the theatre has had a £100M refit.  Although we booked nearly three months ago and tried for the best seats, we weren’t particularly disappointed to get seats in the third row of the circle.  We discovered that the new circle only has three rows, and the back row, or seat C69, where I was billeted, was constructed along the lines of an Elizabethan torture device.  The perch was high, difficult to get up and down from, and on levelling the seat, a mechanism beneath brings a metal grille underneath the feet, providing that one doubles one’s feet back underneath.  It would truly be more comfortable standing up, and this opinion is endorsed by contributors to the website ‘What’s On Stage’.  In addition, the fixed spotlights are a distraction and limit the view of the upper part of the set.  The heat that they produce is intense so that it feels as though one is in the top part of an old fashioned oven, without the benefit of the fan assistance.  Looking down at the stalls one is struck by how few seats there are.  Reading an interview with the architect of the development, it emerges that the old theatre meant that some of the audience were as much as 30m from the stage, whereas the revamp has halved the maximum distance.  I address these words to all those who suffer seat C69 in future: the number may conjure up visions of sexual contortion – but believe me it will not be a pleasurable experience.  £100M – and it’s awful.  Other friends sitting in the circle a little further round had an even more limited view.
This preamble should have been about the play, the production, the players, but sadly it hasn’t.  When stretched upon the rack of seat C69, it’s hard to feel magical, but I certainly tried.
The cast tried hard too, and at times they succeeded.
Having been to a Tristan and Isolde this year which seemed to be located on a rather utilitarian cross channel ferry, I was not unprepared for a set which seemed to be in some sort of speakeasy warehouse, with metal doors and fire escapes.  In contrast to Charles Spencer’s opinion, the production does not create a rival to the Brook ‘Dream’, rather it builds on it.  The set is mostly white, as in 1970; the famous swing is there, and some of the costumes are borrowed from the sixties.  When one reads the names of the actors involved in the great RSC productions of the past, Alan Howard, Sara Kestelman, Ian Holm, Ian Richardson, David Warner, Diana Rigg, Helen Mirren, Frances de la Tour, Patrick Stewart, Ben Kingsley, it’s hard not to ask oneself if today’s actors will achieve these heights.  Well, I’m not sure.  During the performance I saw, Lucy Briggs-Owen was indisposed, and Amanda Wilkin, one of the fairies played the role – and well.  It is demanding, with long speeches of pleading and bewilderment, which test our powers of sympathy to the utmost.  It was a shame not to see Lucy Briggs-Owen because Charles Spencer particularly praised her.  What of the rest of the cast?  Whether it was the theatre, my location (Circle C69 in case you’ve forgotten), or an insistence on estuary English rather than received pronunciation, there does seem to be a problem with diction in modern Shakespearian thesps.  Egeus was incomprehensible; Theseus proved to me that it was the third of these three problems which bedevil comprehension.  As a London autocrat (gang boss, nightclub owner, footballer – it was never made clear) he was difficult to understand.  Doubling as Oberon, however, he proved to be the revelation of the night, his beautiful verse speaking of some of the most poetic lines of the play making one sigh with pleasure.  Jo Stone-Fewings (one might have thought he would adopt a more mellifluous stage name) was the actor concerned.  Hippolyta/Titania (Pippa Nixon) was a pleasure to watch and listen to as well.  She was a genuinely beautiful queen, with astonishing blue eyes, and clear and perfectly paced verse speaking skills.  It would be harsh to pick on some of the other cast members, and sometimes the fault appeared to lie with the director.  Whoever thought that it would be a good idea to make Thisbe speak in a shrieking female voice which rendered the lines incomprehensible?  Why did the fairies speak like Terry Jones in ‘The Life of Brian?’  Marc Wootton who played Bottom however clearly has a future as a comic actor of great conviction.
Charles Spencer spoke of the set as like a 60s trip.  Presumably he meant the multicoloured steel office chairs which descended from above the stage during some but not all of the scenes in the wood.  But the most effective scene was where the lovers, struggling to negotiate the forest at night, were intercepted by the sprites and spirits of the wood in the most balletic fashion as they tried to make their way diagonally across the stage.
My companions at the evening were unhappy that Puck was not small and mischievous, though I note that Brook’s Puck, John Kane, appeared tall, at least in the historic cast photos.  Arsher Ali has great promise – and was audible.  One of the dissenters has had her world view of Puck fixed forever by a magical experience at Oxford, as Puck appeared, diminutive and mischievous, from the top of the Tudor mound at New College, some time in the 1970s.  We all agreed how effective it is to double the roles of Theseus/Oberon and Hippolyta/Titania.  The dream world selves of the King and Queen become so much more credible as reincarnations of their Athenian alter egos, and their resumption of a more reasonable state of mind and behaviour becomes a resolution of their quarrels in the dreamland of the wood.  In fact, it was Peter Brook who introduced this device.  It seems strange that it took 370 years to discover how effective it could be.  Given the possibly smaller casts available at the time of first performances however, this may have been the norm in the early 1600s.  So overall, a very enjoyable ‘Dream’, not quite ground-breaking, and less a dream than something of a nightmare for the groundlings in Row C.

Tuesday, October 25, 2011

Bournemouth Symphony Orchestra October 19th, 2011

BOURNEMOUTH SYMPHONY ORCHESTRA October 19th, 2011
Winter is here again.  The new definition of winter is the Wednesday evening concert season at what Poole now likes to call ‘Lighthouse’ but which is more conveniently remembered as the Poole Arts Centre.  With its facelift of a year or two back, little is changed, certainly not the restricting foyer where there is room for only about half of the hall’s capacity to stretch out and relax in the interval.  One’s mind goes back to a concert visit to Dallas Symphony Hall, an elegant marble space of modern architectural genius.  If Dallas is built on oil wells, then so is Poole.  Is it just that BP choose not to spend in the same way the ‘Oil Town’ does?  Where is Poole’s equivalent of JR, the corporate multimillionaire, striding through the instantly recognizable hotel atria of Poole?
Time not to pursue the comparison further, but perhaps it’s not surprising that Andrew Litton moved from Poole to Dallas rather than the other way round.
Having missed the first two concerts (regrettably), it is almost dark now at 7.20pm as we step inside the entrance to the Lighthouse, and greet friends upstairs.  Settling in with the other oldies, we spot some new arrivals in the orchestra, an unattractive new beard (on a man, at least), and wonder whether they will be up to scratch.  Time for the Polonaise from Tchaikovsky’s Eugene Onegin, with our conductor, also Polish, Michael Dworzynski.   Exciting as this work is, I can already sense ‘piano rage’ building up in my companion.  The programmed length of the Polonaise is four minutes.  So after this short but fun time, there is a shuffling as half the orchestra troops offstage and we wait for the piano to be wheeled on.  ‘Why oh why can’t they put the piano on beforehand?’  It’s not as if the difference, particularly for what one might call the overture, is very great.  Anyhow, back comes our conductor with Boris Giltburg, the pianist, who gives us a lovely interpretation with plenty of fine technique of the Piano Concerto No. 1 by Chopin.  Curiously, the piano is one I have never seen before.  In large letters on its front it says ‘Fazioli’.  After some research I find that the Fazioli has some serious adherents in the concert world, and one reviewer describes it as ‘the Ferrari of the concert grands’.  My mole in the audience found it somewhat tinkly in the high registers.  It sounded good to me.  More worrying was the kyphosis in Boris’s thoracic spine – that boy needs to get out more.  Too many hours per day in practice!  I have to admit it was beautiful, and his encore was exquisite too.  Another mole in the audience suggests it was from Schumann – traumerei.  So, our Italian main course of ‘Fazioli alla Polonesca’ went down very well.
Off to the foyer to discover that interval drinks are in one of the function rooms and somebody has nicked my beer leaving only a glass of rather sickly cider.
Back in for part II.  Tchaik 6.  I can remember as if it were yesterday the rather laboured joke in Ken Russell’s ‘The Music Lovers’ where Tchaikovsky describes his symphony as ‘Pathetique’ and his brother angrily says something like ‘Too right, it’s ‘Pathetic’ all right, and so are you.’  Or something like that.  It made for good cinema, but may not have been strictly accurate.  It was a little hard to credit Richard Chamberlain as Tchaikovsky because to people of a certain age he can only be ‘Dr Kildare’.  I have to say I enjoyed this performance more than any other of the work I have heard.  Especially the last movement as it moves on to its melancholy conclusion with the rasping of the cellos and the double basses – and then, miracle of miracles in little old Poole, where some prat is usually only too keen to show that they know the symphony has finished and starts applauding the moment the conductor’s baton falls: a huge and appreciative silence before the conductor relaxed and the applause began.
Well done BSO.  Next week Rach 3 with Jon Kimura Parker.  Can’t wait.

Pink Martini at the Royal Albert Hall

Pink Martini – Royal Albert Hall, October 17th 2011
A much anticipated evening at the Royal Albert Hall, booked in January, and a sellout.  Pink Martini were accompanied by the BBC Concert Orchestra.  Most if not all of the team had never stepped inside the Albert Hall before.  Thomas Lauderdale, the inspiration behind the group stated that the only time he had even seen it was in the 1956 Alfred Hitchcock movie – ‘The Man Who Knew Too Much’.  The opening number was instrumental – a version of Ravel’s Bolero, with the opening phrases played on the violin.  Following this great reworking of such a well known piece came the first vocal piece, and a surprise – no China Forbes, but her recent replacement, a lady by the name of Storm Large.  Storm is a statuesque blonde with a chest that would spark envy in most women, and a great voice, which improved as the evening went on and she became more relaxed.  After some research I’ve discovered that poor China has had surgery on her vocal cords.  Hope she is better soon.  We heard many of P.M.’s best known songs.  The usual stunning use of the trumpet and trombone.  Then we had a surprise.  Thomas told us that on their recent tour of Japan they had wanted to perform ‘White Christmas’, but Irving Berlin, who had experienced the second world war, had refused to allow it to be performed in Japan or translated into Japanese.  After some negotiation, P.M. had performed it, with a Japanese singer, who Thomas described as Japan’s own Barbra Streisand.  He had discovered her voice on a 1969 LP which he found in a record shop in Portland, Oregon.  Then, surprise, surprise, Saori Yuki, the lady was with us, having journeyed all the way from Japan for the opportunity to appear at the Albert Hall.  She appeared in an exquisite silk dress, with much bowing and greetings between her and Thomas.
The second half was equally enjoyable, and began with the lead trumpeter playing the remarkable Concerto for Trumpet by Harry James.  My memory went back to my first year at Cambridge, when I shared rooms with a lawyer who played trumpet, and had the music to this.  He used to try to play it from time to time – a true virtuoso piece.  I’ve never actually heard it before.
But the strangest thing happened in the interval and after.  We have had some curious coincidences recently.  A few nights ago, to try out a new DVD player, I put on ‘Remember that night’, a disc with the residual members of Pink Floyd, led by David Gilmour.  While wandering round the circle behind the stalls at the Albert Hall, admiring the remarkable photo exhibition of pop stars, I came across a vintage pic of Pink Floyd, all dressed in pink.  It was hard to recognise Gilmour, with his young face and long hair. 
A few moments later, David Gilmour walked past me...
To cap this, on getting into the car at the end of the concert, and putting on Radio 2, purely for the traffic announcements, the programme which was playing was a radio history of Pink Floyd...  life is strange.  And how appropriate that the theme for the evening was pink.
So, bye bye Pink Martini, wherever you are off to.  We enjoyed you again.  Although Storm doesn’t have the sultry grace of China Forbes, she is a good replacement.  Across her back is a giant tattoo, which at first glance looked as though it said ‘Lager’, but could possibly have been ‘Lover’.  (I’ve checked on the web: it is Lover.)  The guitarist looks just like Fabio Capello, but plays with more flair than the
England manager, or at least what you would call his ‘pitchly representatives’.  Timothy, the Japanese soloist is great, the violin is beautifully played, and Thomas Lauderdale – you made a great decision at Harvard not to train as a concert musician.  Otherwise we would just hear you as yet another brilliant concert pianist playing the Greig with the BSO.  Now you truly are an original talent.

Tuesday, October 11, 2011

Malta - The Old Malteser's Society Wrinkly Reunion

THE OLD MALTESER SOCIETY WRINKLY REUNION
‘The cliff walks of Malta and Gozo have no shade,’ I say to myself as I plod along.  The cliff walks of Malta and Gozo have no shade.’  Repeat after me: ‘The cliff walks of Malta and Gozo have no shade.’  Like a Mantra this phrase keeps recurring to me as we round another spectacular headland in the northwest of Gozo, where the Mediterranean is so deep and impenetrable that the colour of its water has deepened to a dark shade of ultramarine, and begins to approach Homer’s comparison of its waters to the darkness of wine.  This phrase is not mentioned in the guidebook entitled ‘A Guide to Walking in Malta’, but it should be.  These near molten heaps of limestone in the middle of the Mediterranean do not lend themselves to tree growth.  An isolated stunted fig, or a cultivated pomegranate tree can be seen, but stands of trees are rare.  Fortunately it is now mid September, and the temperatures are now an acceptable 28°C rather than 38°C of a month earlier.  Out in the sun however, the exact temperature is anybody’s guess.  All the same, here in Gozo, we are enjoying the absence of people and the frenetic activity and overcrowding which characterises Malta itself in 2010.
Our walking holiday, brief as it is comes as something of an antidote to the earlier part of the week on Malta.  The reason we are here is a School Reunion, with a difference perhaps, but still with all the resonances that such an event carries with it...
It is Tuesday evening.  We are on the terrace of the Villa, Meridien Hotel, St Julian’s Bay.  The grey haired lady who obviously attended in 2005, the only previous occasion when Old Verdalans gathered here, is showing me her photo album.  Almost immediately the first page stirs a chord.  It is a black and white photograph of a shipwreck.  ‘The Star of Malta went aground on the 25th of July 1955’, she announces.  And immediately I am back there – in another country.  ‘The past is another country: they do things differently there.’  Yes, it is another country, even though this event took place on the Dragonara reef less than a mile from where we are standing.  As a seven year old, I dutifully trotted beside my mother down to the Sliema seafront.  There in front of my eyes was a real live shipwreck, something only known to me from children’s storybooks.  So our arrival in Malta was sometime during the early part of the summer in 1955.  It was obviously in time to witness this.
Jane, for this is her name, has other surprises in store.  Her autograph book is next.  There in her familiar script, is my mother’s handwriting, P.E. teacher at the school, in this lady’s autograph book.  My medical senses, usually on auto, have been dulled.  Jane tells me that she has suffered a stroke.  Of course I had noticed as she walked across that one foot skimmed the floor in an arc rather than a step, but it hadn’t arrived in my ‘medical cortex’.  But there is a tragic irony here: I remember her now as a leading member of the school netball team – young, fit and healthy, as indeed we all were.  ‘Do you remember that Staff versus School netball match which we all watched and Mr Ross fell down trying to defend an attack?’  ‘Well I’m not sure.’  I remember it though because my mother commented on it.  The result was a fractured scaphoid with Mr Ross in a plaster for weeks afterwards.  Like many of our teachers, Mr Ross was something of a character.  It obviously demanded something extra of a school teacher in 1955 to up sticks and go to Malta.  Mr Ross’s career moved on in spectacular fashion, and much of his teaching life after leaving us was spent in Kathmandu.  During his many years there he converted to one of the local religions – Sikhism somebody whispered, and his death there a few years ago was marked by a traditional funeral with alfresco cremation.
Looking across at a tall lady with an impressive shock of grey hair interestingly counter-streaked with blue, I see that her name badge says ‘Lesley Collett’.  Another magic carpet of instant transport.  Kalafrana (Malta south coast, bay of Marsaxlokk).  Summer 1958.  I am playing there with Lesley and her friend Sheira.  Next to the admiralty facility where torpedoes are stored and maintained, there is a lookout tower, of what seems to us unimaginable height.  With not a care in the world (and out of sight of our parents) we swing ourselves up hand over hand on the rungs of the side of the tower until we are at the top and can look over the entire bay.  Was it Lesley who suggested it?  I can’t remember.  It was one of the highlights of that summer for me.  But, bathos, Lesley has no memory of it.  Perhaps she was always doing things like that.  She was something of a tomboy.   I realise now that this was almost certainly because she had an older brother and two younger brothers, though the subtleties of child psychology escaped me at the age of ten.  She’s still entertaining though.  She reminds me that we were both in Miss Kernahan’s recorder group together.
To a rather conventional child whose main early memories were a bizarre old house in Larkhall, Bath, with dodgy plumbing, and a rather constraining top floor flat in Queen’s Parade, the translocation to Malta at the beginning of the Mediterranean summer brought an extraordinary new deluge of experience, which burned itself as deep as the Maltese sun itself.  When all of this came to an end, after three memorable years, and my father was posted to a remote part of West Wales, the shock was deep.  The experience was preserved, in aspic, or in amber, or more correctly in RNA which we now know hold the stores of memory.  Visits subsequently were few and far between, and served to highlight the earlier memories, rather than obliterate them.  I went back for the first time to a cardiology meeting in March 1976.  My main memory then is how the lovely old higgledy-piggledy houses had all sprouted unattractive TV aerials.  In the 80s I went to Gozo, for a holiday.  I also returned for a Maltese friend’s wedding sometime in the mid 1980s.  This was a spectacular affair with a massive service for 700 people in the old cathedral in Mdina.  Eight years ago, I brought my daughters for the first time, and showed them the place where I had lived in Sliema, the rather grubby ‘Nelson Flats’ in Dingli Circus.  This was during the World Cup, and we watched the England-Argentina game in a dive called the ‘Zanzibar’ in St Julian’s.  After the Beckham penalty, the streets were full of Maltese as well as English people honking their horns and waving Union Jacks as well as the Maltese flag.
So you may understand that when I walk in Malta or Gozo, I am walking with ghosts.  The ghosts of my parents in particular.  But also the ghosts of my young self, and that of my brother.  It was a time when we were all happy, life was reasonably uncomplicated, and we were all healthy.  How young my parents were then – my mother at 34, and my father 36, when we arrived in Malta.  Nowadays, I look on myself at that age as desperately naive, even though I had just become a consultant cardiologist (I was appointed at King’s when I was 35)...  All of that generation had World War II in their recent consciousness, and they were doubtless more worldly wise than we would have given them credit for.  But the sun was bright, the world was bright, and there were new excitements every day.
Back at the initial drinks party for the reunion, it’s clearly impossible to meet and talk to everybody.  There is Liz Mardel, looking in great shape, one of our teachers from Verdala, and another colleague, Roy Jenkins, who came to Malta in January 1958, who seems to be enjoying himself as well.  The organization for the day is done by Pauline – scarily efficient – and bells are beginning to ring – do I remember her?  She was one year older than me – quite a lot when you’re only ten.  She lived on the same staircase in the same block of flats, Egmont Close, so I must have known her then...  The girls proudly display their house colours, and some have brought their sashes.  The men are generally not so possessed of memorabilia, though one couple have done a good job with their photocopied school badges, duly laminated and worn on the lapel.
Eventually we all depart for a stroll along the Sliema seafront and our own affairs, but the next day will bring the school visit, and there I will be breaking new ground.  I haven’t been there since I walked out for the last time some time in the summer term, 1958.
The initial announcement was that the bus would depart the hotel in Sliema at 9, but then there was mention that it would be there at quarter to 9.  When I get on, at 1 minute to 9, I’m surprised that the latter was obviously the case, and lots of wrinklies and grey hairs are waiting for me.  ‘100 lines’, says someone.  Off we go, the familiar route, Sliema, Gzira, the Msida roundabout, back around the creeks, past Pieta (a Maltese place name rather than a Madonna and dead Christ), and up towards the Porte des Bombes, making a right away from Valetta, and then left somewhere down the road to the tortuous route around the south of the Grand Harbour and its six creeks.  Through the famous three cities, eventually to Cospicua, and up into the fortifications of the Margarita lines to Verdala.  Now here is a surprise.  All of the buses which took us to school used to stop in what was called the ditch, but was in fact a gigantic moat.  Now we bypass this and wind up the road until we are on the playground of Verdala itself.  This is a concession made to age and infirmity.  Stumbling out of the bus we are met by blinding sunlight (plus ça change).  Of course the playground looks smaller than it did.  But there is at least a valid reason.  The old one story block at the South end has been replaced by a magnificent large block, much higher and deeper.  Some of the old 1906 barrack blocks where my classrooms were are still there.  The hall is still there.  Looking at the message board as we enter the hall I notice for the first time the programme for the day.  It looks horrifyingly long.  The reality is different.  Rita DeBattista gives us an introduction, and then Brother Martin Azzopardi, a sincere and soulful looking man, gives us a welcome and blessing.  He distributes slips of paper with his contact details on, and some indication of the desperate search that these people are undertaking in pursuit of what one might call Colonial Verdaliensia begins to emerge.  After a welcome address from Mr Vella, the present headmaster, there is a longer intro from Rita, with an amusing and sometimes touching slideshow (powerpoint of course) of the graffiti which she has found around the place – some of which date back to the prisoners of war from the first World War, and some from sailors or Marines stationed here between 1939 and 1945.  Professor Griffiths (what he is Professor of is unclear), who seems to be about 100, gives us a largely unintelligible address about the Dockyard School (the predecessor of Verdala).  As far as I can tell this closed in the 1930s, so my assessment of his age cannot be too far out.  Never mind, everybody applauds enthusiastically, and quite right.  Well done the Prof for getting here, let alone standing up to speak.
After a coffee break, with some excellent Maltese pastries and biscuits, it’s time for a group photo and then a look around.  The highlight of this is that we are allowed up onto the roof of the main building, with its elegant lantern, something that we were never allowed to do in the 1950s.  On reaching the rooftop and looking north, the location of the school becomes clear for the very first time.  We are just a little south east of dockyard creek, and looking towards the grand harbour.  The view of anything from the playground is blocked by the massive double redoubt of the Margarita lines.  To the eastwards the elegant Doric columns of the old Royal Naval Hospital, constructed in 1830.  For some reason this was where my dad was admitted for his SMR nasal operation.  My brother and I visited him in the hospital, and while mother spent time with him in the ward, John and I used our new fly swatter to kill 263 flies with it in half an hour.  So much for the hygiene.  Further inland is the Mosta dome, and churches, churches everywhere.  What were once easily discernible separate villages now merge into one another due to Malta’s gross overbuilding and lack of meaningful town planning.  Over the north of the island an impressive thunderstorm is playing.  Finally, when everybody has had a chance to explore wherever they wish, we get back on the coach and head off down to a restaurant beside one of the creeks where we have lunch.  The tables are organized in groups of four, and fortunately we manage to secure places with Lesley and Stewart, her husband.  So the meal passes pleasantly, but then it’s time to call a halt to the nostalgia.  Lindsay and I are not attending the dinner which is due to take place the following evening.  Lesley and Stewart drop us back to Sliema and then we are off to Gozo!
An interesting parenthesis at the school is the presence of Anne Mintoff.  I don’t remember her at school, she was quite a bit younger, but my mother did.  Mother said that she was quite a nice little girl.  On one occasion Anne injured herself in the playground and mother had to take her to the hospital.  Ms Mintoff doesn’t seem to remember this when I tell her, and gives a fairly strong implication through her attitude and body language that most of the attendees here at the school are a bit beneath her.  Looking at the group photographs taken in front of the main building, it’s interesting to note how ambivalent her feelings are, there she is skulking around at the side of the group, not really in the picture at all.  I guess that if you are the daughter of Dom Mintoff, Malta’s anti-British labour prime minister, you aren’t able to embrace ex-colonialists with open arms.  I don’t remind her however that I am perfectly aware that Mr Mintoff sent her off to an English public school...  The aged Dom, now apparently 94, makes the papers the next day when it is announced that he has had a fall at his home and has been admitted to hospital.  Odd how these straws in the wind seem to crop up.  Another one – a ship aground- off Bahar -i-Caghaq, bringing recollections of the Star of Malta.
As we drive north towards Cirkewwa, the port for the Gozo Channel, the roads seem much as they were 50 years ago, with short exceptions of ultra smooth tarmac where large signs proudly announce ‘Part funded by the European Union’.  The system at the ferry works very well and in beautiful late afternoon sunshine we are off.  As we approach Gozo, it’s possible to notice that the skyline which is decked with flagpoles carries all its flags at half mast.  This is another uncanny parallel with the past.  A week before we arrived in Malta, a small fireworks factory in the tiny village of Garbh in Gozo is blown to smithereens, killing virtually an entire family – a total of six deaths.  There is the usual agonizing and soul searching in the Times of Malta, pointing out how the Maltese love f fireworks has resulted in many such disasters in the past.  When we lived here, being a munitions officer, one of my father’s jobs as a British civil servant in the Admiralty was to go on a tour of inspection of the Maltese fireworks factories.  I have dim memories of him pouring himself a gin and tonic after these trips, with mother telling me how he was ‘white as a sheet’ and shaking on his return.  I understand that in those days, they even permitted smoking on the premises, so it’s no wonder that he was terrified.
We move up the hill from Mgarr harbour and off to Victoria, the capital of Gozo.  Onwards towards the West of the island, passing through the outskirts of Garbh and on to San Lawrenz, where the Kempinski hotel is situated.  This proves to be an oasis of relative peace, with not too many guests, and several swimming pools, with children being banned from the main one – hooray!  On our first evening, we eat at the hotel, which is good but expensive, and there are plenty of other restaurants around in Gozo, including one only a few minutes walk from the front gate.  There is a Happy Hour for cocktails, which is good news.  Some of these are better value than others.  A scorpion for example, contains white and dark rum, brandy, triple sec, lime juice and orange juice, four times the amount of liquor in a simple Pimms, and is only 1 euro more at happy hour!
The next day we elect to do one of our big walks.  The purpose of this diary is not to itemize every nuance of our visit, but more to talk about the reunion, and the past, another country.  In modern day Gozo however, it’s still possible to get away from it all – once the courtesy bus has dropped us in Marsalforn, and we head westwards round the northwest of the island we are essentially on our own, a landscape of limestone, prickly pear cactus, saltpans, deep creeks, dark deep seas, and the weirdly beautiful sculpted shapes of the globigerina limestone, which in places gives the only shade available, as it has been worn by wind and waves into an overhanging Art Deco cliff, just a few feet above our heads.  On our last day of walking we tackled the southern and south west segments, from Sannat along the coast to Xlendi (O Xlendi how thou art changed), an exciting scramble up the rocky walls away from the village, and onwards back to Dwejra, Fungus Rock, the inland sea, and the Azure Window – a huge arch in stone over the sea.
Looking back from the south coast of Gozo, my mind goes back to our second day, the Marfa Ridge circuit, starting from the Red Tower, above Melieha bay.  We chose this walk, of about eight or nine miles, in order to get back to our Sliema hotel in time for the introductory drinks party.  After the walk west to the edge of the island, and taking care with the giant fissures in the rock, extending like crevasses deep into the bedrock, we descend to Paradise bay, a small bay to the west of the ferry terminal.  Lindsay has discovered when at Verdala that Roy Jenkins and some of the other teachers used to come and stay here, and enjoy all night parties on the beach, recovering just in time to get back to school for the next day’s teaching!  To celebrate this, Roy and his wife, now a one zimmer frame family, are coming here after the reunion for a period of two weeks..  Presumably they won’t be up all night on the sands this time.  How little we children knew of what went on!
On our last morning, Lindsay and I decide to go back to Qbajjar bay near Marsalforn for an early morning swim, but changing plans en route we take the slightly longer journey through Zebbug to Ramla bay, still unspoilt after 50 years.  It was here that as a family, the McLeods camped for a week in early summer 1958, to see if we could manage our planned six week camping trip between Naples and Le Havre.  We sat on the beach in the early evenings watching, and at that age listening, to the bats swooping around the foothills.  The trip was a success, allowing us to cram ourselves, our tent, our Primus, our sleeping bags, and all our clothes into our Morris Minor Traveller and make our way home.  The only loss that week was our pet tortoise, which wandered off into the hinterland.  Somewhere in the gorge among the bamboos, an enormous tortoise is still lurking, or so we hope.  The beach remains a wonderful place to swim, with its extraordinary almost russet gold sand.  So our holiday comes to an end.  It has been a great success, with new experiences and enjoyable nostalgia in equal measure.  We’ve made new friendships, and enjoyed revisits to places I haven’t seen for 50 years.  I am sure we will be back, but next time, we will move on again.

Sunday, October 9, 2011

When in Rome

Yet another 'Just Back' entry

When in Rome
The Daily Telegraph advised: ‘Visit Rome in December: it’s empty; the Christmas decorations are fantastic.’  So we did.  The Japanese also read the DT – they’re all here too.  An American arts graduate in the Vatican, suffering from an excess of progesterone (plump; acne) addresses her little flock: ‘You gotta take a train ride to Florence, it’s an hour and a half.  Go see Michael and Jello’s ‘David’.  He’s got all four things I love in Renaissance art .’  I crane forward to hear.  ‘He’s old; he’s male; he’s nude (pronounced nood) and he’s gorgeous’.  By getting there very early we reach the wonders of the Sistine Chapel before anyone else apart from the security guards.  It is magnificent.  And it’s not only Michelangelo.  Perugino, Botticelli,Ghirlandaio and others painted the walls.  Marvelling at the nous of Pope Julius II, who in 1508 signed contracts with Raphael to decorate his walls and Michelangelo to paint his ceiling, we step reeling out of the Vatican fortress eight hours later and walk home.  The passeggiata in Rome in December is as popular as at any other time, despite the cold.  It allows the ladies to show off their furs and in the upper reaches of Via Condotti, designer label street, it’s impossible to move.  Even the roast chestnut seller is trying to move on his customers so that more can buy.  Early next morning to avoid the queues (entry to St Peter’s Basilica requires airport-like screening) we are back with only the sincerely religious for company.  A priest wearing a tabard like D’Artagnan, and long brown riding boots walks by; it’s hard not to suspect he is a character from the Da Vinci Code.  Our chosen route today includes a Caravaggio hunt, and twenty churches ranging from the simple early Romanesque to ornate baroque splendour.  The apotheosis of the latter is the Chiesa del Gesu – the Jesuits’ church – with it’s extreme trompe l’oeuil ceiling.  So great was the Jesuits’ pride in displaying the fruits of their worldwide success a wit remarked that in the Jesuit church, the letters IHS stood for ‘Iesuiti Habent Satis’, ‘The Jesuits Have Enough’.  A beautiful cold but sunny day allows us to range from Garibaldi, literally on his high horse on the Palatine Hill, to the Borghese gardens.  Despite the magnificence of Bramante and Michelangelo in St Peter’s, and the gross marbled tiers of the monument to Victor Emmanuel II, Rome is the city of Bernini, in all his elegance – the Piazza Navona, the angels on St Angelo bridge, the Trevi fountain;  the list seems endless.  But what of Ancient Rome?  Apart from the obvious Coliseum, with ‘ancient’ Roman gladiators standing around waiting for photographs looking like Sid James in ‘Carry on Cleo’, most of it is still in a layer some twenty to forty feet below ground, though there is plenty to keep the average tourist happy.  Oh, and I haven’t had time to mention Roman food – but you don’t need me to rub it in, do you?
500 words

PEI - Lobster with Everything

LUPINS, LOBSTERS, AND LIGHTHOUSES.

On Prince Edward Island lupins grow wild everywhere.  Riots of pink, purple and white flowers spill over the verges into the ditches and the fields beyond.  The ubiquitous potato fields run away in green lines on straight ridges of red soil down to the sea.  PEI?’ our Canadian friends said, ‘Wonderful!  Take your golf clubs.  Do you like lobster?  Have you read Anne of Green Gables?’  A quick read of a tattered 1950’s hardback copy of ‘Anne of Green Gables’ remedies the latter omission.  Reluctantly we have to leave the golf clubs behind because we’re travelling by bicycle.  Has much changed here since Lucy Montgomery’s book was published a hundred years ago?  I doubt it.  Her unfailingly optimistic heroine, Anne Shirley, might not recognize the tractors and cars, but the rustic landscape and the clapperboard timbered farmhouses cannot be very different.  This maritime province of Canada is full of friendly relaxed people.  It’s like rural Ireland with a Canadian accent.  The rolling green fields, woodlands, and deep inlets give way to picturesque harbours, their solid no-nonsense fishing boats stacked high with lobster pots.  We cycle down to Basin Head to see the old fishery and try out the ‘Singing Sands’.  The fine white sand with its smooth spherical silica particles produces an odd squeaking noise when walked on.  It’s not that musical though.  ‘Not so much Beachoven, more the One Note Samba’, someone remarks.  ‘A quartztet in tempo sandante’ is the reply.  We pedal up to the quaint octagonal lighthouse at East Point, and on to North Lake.  The ‘Tuna Capital of the World’ it announces itself.  Behind the narrow river mouth is a large inland sea.  There are rows of buoys marking the mussel culture lines.  Blue herons wade in the shallows.  It’s a tranquil scene.  The Sandstone restaurant provides another chance for us to get to grips with the variety of ways that islanders like to eat their lobster.  Will it be lobster roll, lobster salad, lobster chowder, lobster wrap, lobster club, lobsterburger, lobster pasta, lobster curry, or perhaps whole lobster?  Lunch slows us down somewhat, but then it’s onwards through meadows tall with clover and wild marguerites, along heritage roads of flattened red mud (original PEI red mud T-shirts available in the shops), along forest tracks with chipmunks and hares flying out of our way, choruses of frogs which sound like Zebedee of the Magic Roundabout has just dropped in, or a secretive beaver diving down from the water surface into its lodge.  In the remotest estuaries the occasional bald eagle or osprey glides above us.  Back in Charlottetown, the capital, we settle contentedly in the armchairs of the FlexMussels restaurant for a final seafood blitz before returning our bicycles to the laid back owner of the cycle shop, accepting another glass of wine, and then a lift to the airport to return to the real world outside PEI, the ‘Gentle Island’ as its tourism brochures call it.  And it’s true.

Word Count  494

Cycling the Lofoten Islands

BEEN THERE

Lofoten Islands, Norway

We stand in dazzling day-long Arctic sunshine, at the side of a small coastal road, cooled by a gentle breeze.  Drawing breath, the air has a purity and sharpness that exists nowhere else.  Looking inland, meadows ripple with tall wild flowers, a sight that has not been seen in Britain since the scythe made way for the Industrial Revolution.  Sudden rushes of the scents of medieval spring and summer complement the dazzle of yellow, green and white.  There are contrasts of pink and purple from the wild orchids and early lilac blossom, although it is late in June.  To the east of the road the sea shimmers with a palette of marine colour.  Over the silver sand beaches, empty of any footfall, the water is a translucent turquoise blue.  All around, awesome mountains rise, seemingly straight out of the sea, still flecked with snow in their deep gullies.  The few dwellings that are visible contrast grey roofs with walls of a beautiful muted ochre or deep red colour.  Here and there, tiny fishing smacks of varnished wood dot the waters.

We are on the chain of islands that make up the ‘Lofoten Wall’.  100 miles of jagged peaks, running southwest from the north Norwegian coast in a gently curving line and stretching 50 miles out to sea, shelter a beautiful gulf – the Vestfjord – the Western fjord.  As the islands gradually peter out to the south, they become ever more remote.  On two of the larger outliers live up to a quarter of Norway’s entire population of seabirds, surrounded by seals, fish eagles, and the occasional killer whale.  The feeling of detachment from reality is enhanced by the fact that at 69º North, it is impossible to tell exactly what time of day it is.  There is a purity here which exists in only a very few places.

We travelled independently, used SAS, Braathens, and Widerøe airlines, and hired bicycles in the islands’ capital, Svolvaer.  We stayed mostly in converted fishermen’s cottages or ‘rorbu’, which means ‘red house’.  In the past I have sailed up the coast from Bødø, another magnificent way to experience the Lofotens.

In favour of coming here?  Take the most picturesque Scandinavian scenery you can imagine and go beyond it.  Against?  It’s expensive.  You’ve got to like fish, particularly cod (cod’s tongues are a frequent menu item).  Wine costs around four times as much as in the U.K.  Much of the accommodation is self-catering – not easy if you’re cycling or hiking.  Not many travel operators come here.  The flights are reliable but expensive.  The season is short.  Many of the internal tours or ferries only operate from late June.  The major travel species seems to be German, either in coaches or enormous Winnebago like vehicles.  They obviously left reluctantly in 1945 and have been reconquering ever since.  Finally, although the people are charming and very helpful, and mostly speak English, the tourist offices only seem to open in May, and it can be difficult to arrange your own visit at such short notice.

Andrew McLeod.  Poole, Dorset.


Kerala

Another 'Just Back' entry (500 words on Kerala)

KERALA – not just the God of small things.

Plates of pomfret and melt-in-the-mouth butterfish steamed in banana skins are sitting in front of us at the Fort Cochin seafood restaurant.  Our friend Hari Menon is giving us some advice.  ‘If you want to see the Nilgiri Tahr, one of the world’s rarest ibexes, you’re going to the right area – the Western Ghats.’  He smiles.  ‘It has an interesting personality.  It’s curious about humans.  So you will definitely see one!’  High up in the hills, where the tea plantations were planted by Scots in landscape that must have reminded them of home, we march past a horde of brightly sari-clad girls chattering and giggling to one another on their day trip to Eravikulam National Park.  ‘Thank heavens we’ve got past them,’ I observe.  ‘Now we can concentrate on finding this goat.’  At that moment the animal in question steps from behind a bush in front of me and unconcernedly clip-clops down the small tarmac road back past the delighted girls who scatter in a flurry of pink, blue and gold on either side of the Tahr as it meanders on down the hill.  One up to Hari.  Kerala is full of surprises.  The first is the gun pointed at my face at the airport in Cochin.  It’s a temperature gun.  They want to know if we have ‘flu.  Despite the 30 degree ambient heat we are allowed in.  The drive into the city is full of typical Indian colour.  Ubiquitous coconut trees, heavily laden scooters, huge potholes in the roads, giant Bollywood movie posters featuring warlike paunchy men with swords.  Cacophony all around.  Our hotel looks out on the harbour, but the water seems to be entirely green.  Masses of thick vegetation drift down from the backwaters, creating a permanent floating platform for hundreds of egrets.  Our next stop is the Kathakali dance centre.  This is a standard tourist attraction, but fascinating nonetheless.  The first hour or so involves watching the actors put on makeup.  It’s not as dull as it sounds.  Unless you know the 9 different moods to be portrayed and the 24 hand gestures you might lose some of the thread.  Outside historic Cochin, which has been Portuguese, Dutch, then British, the state of Kerala, only 9 degrees of latitude north of the equator, is lush and green.  Pineapples, bananas, rice, tapioca, and rubber trees grow easily.  In the hills, the tea plantations spread up and down in a beautiful neat green garden, following the contours like a serrated carpet.  In the jungles of Periyar we battle leeches, after signing a disclaimer which says we ‘must be able to make a walk of tedious duration.’  In the backwaters we luxuriate as our ancient converted rice boat chunters slowly along, past calm vistas of Keralans’ everyday lives.  As dusk falls, enormous dark sheets glide past us – the fruit bats off to the treetops for their evening meal.  Our Kerala experience ends with a red-gold sunset on a beach which stretches as far as the eye can see.

Word Count:  500 words

A review of walking the Sierra de Grazalema

This was a review written for the Telegraph:
Sierra de Grazalema
HOLIDAY REPORT
Type:  Independent walking holiday arranged by company (Inntravel)
Cost:  (For two people) Inntravel £1,340; Own flights Bournemouth-Malaga (Thomson) £330; Car hire (Sixt) £196
Duration:  1 week
Participants:  Couple
Highlights:  Walking across carpets of wildflowers and thyme in the remote unspoilt mountains of the Sierra de Grazalema.  Plunging between moonscape rocks through thickets of multiflowered cistus.  Strolling beneath gnarled ancient cork oaks and olive trees.  Griffon vultures silently circling overhead.  Rare prehistoric pine trees with their remarkable pink fir cones clinging to the misty ridges.  The silence – apart from the occasional call of a goatherd or the snuffle of wild grazing pigs.  Simple Spanish food, especially the slow cooked pork, always served with the best olives, and high quality wine.  Meals finished off with a complimentary sip of herb liqueur.
Lowlights:  The hotel owned by an English couple who must have watched ‘A place in the sun’, and bought the place they had always dreamed of, only to find it ravaged by floods.  Avoiding their big slobbery dog (and his leavings) on the patio.  Finding that the hostess, whose cooking the notes said was ‘a revelation, with guests coming from far and wide’ had decided to go to a party: awaiting the meal to be cooked by Bill, her partner, whose opening gambit as we arrived at the table was ‘I’m slow’, and finding that he was a master of understatement.
Best Hotel: Molina de Santos, Benojoan.  I don’t need 100 words – small hotel, pretty gardens, excellent room, lovely food and wine, helpful staff (12 words).
Worst Hotel: Mentioned above – I don’t wish to give its name – maybe things have got better.
Tips and recommendations: Avoid booking the cheapest Internet car hire at Malaga airport.  You may queue for a couple of hours, compared with 10 minutes at some of the other companies (names available on request).  Take the less direct route up into the Serrania de Ronda by heading inland towards Campillos (A357).  Then you approach Ronda by a good road (A367) with gradual gradients and gentle corners.  The more obvious but less enjoyable strategy is to drive down the coast to Marbella on the A7 autoroute, and then turn inland on the A397.  But this is a road like an Alton Towers switchback.  We met families with children who had had to stop by the roadside for the children to be sick.  The Montejaque Circuit is an excellent long circular walk – up to 12 miles, and even if you aren’t on this holiday you can drive to Montejaque, park easily above the town by the ‘allotments’ and walk through mountains, badlands, upland plains, rolling farm land, and finally olive groves back to Montejaque.
What to avoid: in general, when in Spain, avoid the paella.  Paella, like bouillabaisse, is probably the most overrated (and often overpriced) dish in world cuisine.  You can make it much better, much quicker, and certainly much cheaper at home, providing that you can source some mussels and prawns: and even if you can’t you can invent your own ingredients.  On second thoughts just turn it into a risotto.  The problem is, for some people, Spain isn’t Spain without getting ripped off for a pan of paella!