Tuesday, November 4, 2014

Trekking in the Simien Mountains, Ethiopia

Trek 8th to 12th October 2014

This account is both encouragement and caveat for those wishing to visit this remote and beautiful area.  It is still a place which few people visit.  18,000 visited in 2013.  If that sounds a lot consider that the only comparable area National Park in Britain in terms of size – the Norfolk Broads, experience exactly 400 times as many visitors per year.  As a result, the habitat and the wildlife of the Simiens is almost undisturbed, and some remarkable animals and birds can be seen.  There are pressures on the Simien Mountain national park, of course, such as encroachment of farmers, but it remains a fabulous place, with a landscape of unusual beauty, suggestive of an ‘other-worldly’ character, such that one finds oneself imagining an episode of Doctor Who or Planet of the Apes being filmed here, so unusual is the scenery.  Thrown up by ancient volcanic eruptions, the mountains are green to the top (only about 13 degrees of latitude north of the equator) and steep sided, the cliffs often plunging a thousand metres from the escarpment.  Please admire the photos, but if you like walking and you are considering the Simien Mountains, read on.

Xerxes, Philippa, Lindsay, Andrew

Meskel flowers, rain approaching

Melaku, our guide.  Melaku means 'Angel'

Our tents at the Geech campsite, a windswept altiplano at 3600m

The cooks' hut, Geech

Standards!  Menber puts his whites on for dinner

Crossing the Jinbar river.  A tranquil scene but the force of the water was tremendous

Walking through the uplands and giant lobelias

Tawny eagle and thick-billed raven

Gelada baboon.  Despite their name they are closer to monkeys than baboons

Walia ibex, above Chennek

Looking down one of the canyons from about 3900m

Child shepherds, above Chennek

Distant lowland village

Sunset from Kheda Dit


We arrive in Debark, a small town near the park, as most trekkers do, from Gondar, itself quite an unusual town.  The Ethiopian capital was here during the seventeenth century, and each king built himself a slightly different castle.  The centre of rule lingered on here until the nineteenth century before shifting to Addis.  There are four of us, keen walkers, but not in the first flush of youth: Andrew (66), Lindsay (61), Xerxes (64), Philippa (59).

This is how, taken from my diary, the experience unfolded:

Wednesday.  The road from Gondar to Debark is about 100Km in a north-northeast direction and is good quality tarmac.  Our guide from the tour company Ethio Guzo is the somewhat Rasta looking Wirku (it means Gold in Amharic).  Poor Gold started as a street urchin and shoe-shine boy in Debark; was assisted by a Dutch tour guide to get some schooling and is now in a fairly responsible position.  Unfortunately he needs a little advice on how best to get on and get ahead, but more of that later.  From Gondar we have taken a chef (Menber) and his equipment.  There is a rotation booking system for guides to the Simien Mountains National Park, but Melaku (Angel) our guide is a freelance who was obviously booked by Ethio Guzo.  He sorts out the paperwork for our permits – this is really fairly quick and easy (500 Birr per head for Europeans and it looks like 200 for locals) – and we also pick up an aged scout called Mohammed who is hefting an antique looking bolt action rifle.  We turn off the tarmac and onto the dirt road through what seems to be the main street of Debark; dirt, dust and dung, and head off to the park gate, some 15Km up the track.  Paperwork is checked and we’re in.  The dirt road has stone and gravel surfacings for the most part, but the quality is not good, and frequent rains produce erosion and channels in the surface.  Debark itself is high, 2850m, and our first camp site (Sankaber) is at around 3260m.  After about an hour on the road from Debark, Melaku, Mohammed, and we four trekkers get down and start walking.  Our route is more or less parallel to the track, but there are detours to the edge of the mountain ridge with great views.  The vegetation is largely giant tree heather, reminiscent of the cloud forest on La Gomera in the Canaries.  Spanish Moss drips from it.  There are many plants we can see in Europe in evidence, particularly cistus, scabious, and dwarf hebes.  There are flowers which look a little like yellow marguerites, but are the very widespread endemic Meskel flowers, symbol of the Ethiopian New Year, which takes place in late September.  Sightings include thick-billed raven, lammergeyer, augur buzzard, and a troop of Gelada baboons.  After less than three hours, during which we receive some persistent rain we reach Sankaber camp.  My diary, generally brief, says ‘Good tent.  Terrible latrine.  No running water.’  Distance approximately 4 miles.  Slow because quite breathless at 3200m, despite Diamox (acetazolamide).  At least no headaches.  We have only been in Ethiopia for four days.

There are only a few ‘approved’ camp sites in the Simien Mountains.  Everybody has to camp in these places.  There are wolves, jackals, and the occasional leopard, so it is not wise to take a chance on it.  One reason for the scouts is therefore protection.  We find out later that they have a rota for checking the camp through the night.  The approved sites have nothing particular to recommend them.  The latrines are appalling.  Even on army manoeuvres, when digging a latrine we were always instructed to leave the excavated soil to cover the excrement.  Here the soil has been taken away.  Enough said.  There are usually one or two little round corrugated iron huts, where the cooks can prepare and cook food undercover.  All equipment, food, and water has to be brought in.  I note that the stoves are propane rather than butane (more appropriate for low temperatures).

Thursday.  Not a very comfortable night, and it rained heavily.  Breakfast of pancake and honey and leave about 0810.  Menber did a good job of creating a one cooking pot meal the previous evening, but I can’t remember what it was.  He makes some soup every evening and then adds something else.
We wind around the ridges with great views, coming down to a viewpoint above the spectacular Jinbar Falls, where the river plunges 500m over the edge of the plateau.  From here it is steeply up the hillside, past stupendous fall-away views of steep grass slopes covered in places by kniphophia (red hot poker) flowers, and troops of baboons scratching at the grasslands for grubs.  Beyond the grass slopes the walls of the mountains fall away on their northern side for a thousand metres to the undulating plains below.  In the canyon below the Jinbar falls there are circling griffon vultures, lammergeyer, and swifts.  Further on we see alpine chat, black-headed siskin, yellow bishop, grey-necked sparrow and wattled ibis.  There is a very long ascent, perhaps 500 to 600m past the village of Geech with its few circular mud and wood and stone huts to the plateau of Geech camp, at 3620m.  Total distance walked about 8 miles, 470m of down and 870m up.  Because of the heavy rains the water in the Jinbar river is fast and deep and we elect to cross by mule, paying 50 Birr each to do so (32 Birr = £1).  Before descending to the river we come across a famous local musician playing his one-stringed violin.  At least the guide tells us he is famous.

At the camp there is great excitement because there is a large party from Exodus present and two of the scouts have killed a sheep for their supper.  We don’t get any mutton to eat ourselves, but in view of a subsequent experience at the hotel in the Gheralta (Gheralta Lodge) I realise that we didn’t miss much.  Quite how they can make the meat tougher than boot leather is a conundrum...
The offal and blood bring lammergeyer and tawny eagle to the party, together with dozens of ravens (collective noun an ‘unkindness’ of ravens).  There is a lovely sunset.

I suspect I must have felt rather better today, for at least I made a note of Menber’s menu for tonight.  It was tomato soup followed by a hash of pasta, vegetables, potato and fried aubergine.  After dark there are several hours of distant thunderstorms, lightning, and then later in the night, more rain.
At about 5 am there begins a general murmuring of scouts and cookboys around the camp.  From 6 a cockerel begins, but he is silent after a few minutes (is he saving energy or is he headed for a cooking pot?).  The now familiar barking of ravens begins at daylight.  By 7 am there is a little sunshine on the tent and it seems propitious to get up.  Geech is a much larger area than Sankaber.  It’s an altiplano really.  Hobbled mules graze.  There are cows and sheep from the village.  And there are a lot of tents.  We’ve been joined by a large German group.

Today, Friday, is a more leisurely excursion because we are scheduled to spend another night at Geech.  We walk gently uphill towards the NE along the spine of the Simiens to a lofty peak at Imet Gogo, at about 3900m.  In view of the mist Melaku does not attempt the final scramble up the boulders to the end of the peak, about 30m higher.  The view is nonetheless spectacular.  We then walk along the edge of the abyss back to the west passing the gorge of Sinha.  Unfortunately by the time we reach the gorge we are being pelted by rain and hail.  Sightings of Thekla’s lark, wattle ibis, scraper thrush, lammergeyer, augur buzzard.  Back at camp the bushes around are populated by the endemic black-headed Ethiopian siskin.  The landscape has taken on that other planetary feel, as we walk through giant lobelias back to camp.  Lunch is Ethiopian – injera (the ghastly pancake bread), wot, shiro, potatoes in tomato and chilli sauce.  5.9 miles, ascent to 3903m.

In the afternoon we walk down to the local village which we passed on the previous day.  The idea is to visit a villager who will perform the ritual coffee preparation ceremony for us.  Wirku doesn’t seem to be too certain which of the villagers will do this and it’s the third hut that we come to that contains the lady of the manor (so to speak) who will take the time to do it.  In view of what we give her in Ethiopian Birr (200 Birr is about 10 US dollars or £6.50, a huge amount of money in Ethiopia) I’m surprised that the villagers aren’t all clamouring outside their huts for us to go in.  One of our party is bird phobic, so we have to chase the chickens out before we start.  It is daytime so the other residents of the hut (cows, donkey, goats) are already outside.  There is a cat too which is presumably useful because the area must be rat infested.  In the gloom, lit only by a wood fire, the lady who thinks that she must be about 25 years old, but is only guessing because she only has three children as yet, takes a shallow iron dish and places it on the trivet over the fire.  Then she washes the coffee beans.  Then they are roasted on the dish.  Using a wooden pestle and mortar she grinds the coffee and puts a kettle onto the fire.  The ground coffee is put directly into the kettle once the water is boiling.  Bear in mind that we are at 3500m so the water temperature is about 88°C.  She washes out some tiny cups, wiping them with a cloth (oh dear) and pours in the coffee.  Finally she pushes a few embers from the fire forward into the dust and puts a few crystals of frankincense on it.  Ethiopian coffee is muddy and not harsh with a gentle roast flavour.  It seems to taste better as black coffee...

In the evening, Melaku, a Dutch trekker from another group, and I walk up to Kheda Dit – a walk of about 30 minutes.  Kheda Dit sits on the northern flank of the Simiens, and serried rows of mountains and hills can be seen as far as the eye can take one to the west.  The sunset is worth the visit, the rows of hills assuming differing shades of grey, blue, or pink as the day draws to a close.  Well before sunset there is another phenomenon which is worth seeing (it can also be seen from our next camp, Chennek).  This is the nightly procession of Gelada baboons to the cliff edge, from which they jump, climb, and swing in a manner which would put an Olympic gymnast to shame, down the cliff faces and steep grassy banks and into caves set into the sheer rock of the Simien wall.  In here they must be free from even the most ambitious of predators.

Saturday.  The next day we make a prompt start at 0810hrs.  It has been an extremely cold night.  The stars with the Milky Way evident were magnificent, but the morning is icy and we are all up early to don more clothes and get warm.  Although the cooks and scouts try to keep a fire going the thin air and poor quality of the wood makes it difficult.  The coffee lady could teach them a thing or two.  The night is also interrupted; I think I speak for all of us, by visits outside the tent to pass urine.  This is a known side effect of the acetazolamide, which acts as a diuretic.  Another bizarre effect which most people seem to get is the buzzing paraesthesia (medical word meaning tingling feeling) due to changes in nerve function.  I can liken this most closely to the feeling that you might get if you use a power tool such as a garden strimmer for too long.  On the plus side, although a little puffed when walking uphill, none of us has had high altitude headache, which I have definitely had at similar altitudes when not taking acetazolamide.

A gentle ascent back towards Imet Gogo, then a fork right towards the southeast and a long trek down along the edge of the escarpment.  At the bottom, two of our party who found the ascent very tough two days beforehand get onto the pre-arranged mules for the 470m climb to our lunch spot, at something over 4000m.  I walk slowly up the muddy area with tree heather overhanging until about 150m higher, the terrain becomes more open and the giant lobelias take over.  This is genuine Planet of the Apes landscape.  It would be wrong to call it lunar, because there is vegetation.  One can imagine a Star Trek astronaut saying ‘It’s our planet all right, Captain, but not as we know it.’
It’s now mostly down and we reach the road about 200m below Chennek camp.  8.35 miles, 5 hours of walking.  Current elevation 3630m; 700m of ascent and descent.  Sightings of lammergeyer, swift, raven, white-billed starling, brown rumped seed eater, pigeon, dusky turtle dove, and weavers.  A klipspringer bounded away in the distance near Imet Gogo, but as yet we haven’t seen the famed Walia ibex.

The last thirty minutes or so of descent are in heavy rain and we feel a bit miserable and gloomy when we arrive in Chennek, as per the usual dismal facilities (hole in the ground, no running water) but we have some tea, coffee, popcorn, and biscuit in the cook’s shack.  After a while the rain stops and there is even some sunshine.  The cook is keen to get us fed, so at 630pm we eat soup, Russian salad, pasta, egg and mushroom.  By 8 o’clock there is nothing else for it but to turn in.  As we settle into bed Wirku informs us that there is no accommodation for Melaku, and his own tent is cold and wet inside, so he would like to borrow our blankets.  We yield them: it’s not as cold as the previous night.

Sunday.  The next day starts badly.  Wirku announces that he didn’t sleep well and has had a bad headache for several nights.  It turns out that although he has made day trips to the Simiens he has not done one of these treks before.  His presence hasn’t really assisted us.  He has a tendency to buttonhole our guide Melaku, walking on ahead and chatting in Amharic, so that we have to push hard to catch up.  He is 22 years old, exactly one third of my own age, and although he has had a tough life he needs to get a bit of maturity and judgement into him.  It doesn’t help that he has allowed us to pay his way in restaurants and bars (it’s not a huge expense but it’s not Ethio Guzo’s policy) and occasionally makes far too obvious hints such as ‘I don’t have a watch’, or ‘Will you be needing those poles when you’ve finished your trekking?’  I genuinely feel sorry for him, but it’s probably the company who are to blame in that he needs to learn how to do his job by example and tutelage rather than on his own.  Wirku implies, as indeed he did the night before, that we don’t need to do our final early morning start and trek to the summit of Buwa Hit; that he has booked the transport for 10am, and we should all head back to Gondar.  Our itinerary clearly says that those of us who would like to should make an early start and trek to the summit of the mountain, about 800 to 900m of ascent, for great views of the Simiens, possible sightings of Walia ibex, and a final achievement.  Melaku has obviously been briefed to lead this, ignores Wirku, and he, Philippa and I set off for the climb.  Lindsay and Xerxes decide on a leisurely morning in camp with some exploration, and animal and bird watching.

Essentially our route is straight up.  Mostly it follows the dirt road towards a high mountain pass, cutting off some of the hairpin bends, and finally leaving the track for the final push.  We could have left at 7 but the cook is not keen to be out in the cold any earlier than 6.30, so we are ready to depart at 7.30.  As we prepare to leave, we notice two little girls sitting by the edge of our camp.  They look about 8 and 6, but turn out to be about 3 years older.  The younger one has an ulcer on her foot.  This must be something unusual even for the local people because apparently they don’t usually come for help.  On the dorsum of the little girl’s foot is a punched out ulcer, about 4 by 6cm, clean down to the muscle.  It looks like a third degree burn, but is not.  It started as a small lesion and then spread.  There is infected slough on the site, so we clean it, treat it with fucidin ointment, and put a clean dressing on it.  My best guess is a Buruli ulcer, a disease caused by a bacterium similar to TB.  If so the fucidin will not help.  There is a free government clinic a day or so away where they can go, and this is what we ask the guide to tell them...

The hike up to Buwa Hit (which we christen Bugger Dit) takes about two and a half hours.  At the top, another two little girls are selling some trinkets and Pepsi Cola.  We buy something.  The cloud comes in and we miss the view of the highest Ethiopian peak, but we are only about 100m lower, at 4400m.  On the way down we have all the time in the world to chat, but no breath at all on the way up.  Back on the track, with only about 30 minutes to go to camp, the trouble starts.  A 4x4 roars up the road and stops.  It’s Wirku.  ‘You guys had enough?  Want a ride?’  Melaku seems unimpressed and suggests we keep on walking at least until he turns round, no easy feat on this road.  Behind us we hear the noise of a screaming clutch and wheels scrabbling for purchase.  Eventually it’s clear that Wirku either can’t start the car or turn it round.  Melaku sensibly sends Mohammed running on down to camp to alert the others.  Pretty soon the cook and the driver appear.  They are furious.  Apparently Wirku (you will remember that his name means Gold; Xerxes has long since christened him G.B.) was itching to get home.  The driver was an hour later than expected.  There should be two cars and not one.  As soon as the driver got out, Wirku got in without asking and roared up the track to cut short our walk and pick us up.  Now he’s stuck, the car is possibly damaged – hopefully only superficially – and God knows what he’s done to the clutch.

In the meantime Melaku detours from the road and we are rewarded with the sight of one of the world’s rarest animals.  Some 200m away, a magnificent male Walia ibex is grazing unconcernedly with his harem of 7 ladies.  As we walk on down, they are so focused on the grass that we can get much closer still and movie footage as they too meander gradually downhill, eventually crossing the ridge and disappearing.  Back in camp the atmosphere is not good.  Two cars were ordered to arrive at 10.  Only one arrived, and that well after 11am.  Wirku was furious.  Hence his ‘TDA’ (taking and driving away).  Other cars arrive but can’t help.  Lindsay tips a driver 100 Birr to head up the road to see if he can help.  Eventually, some 30 minutes after we get back, two cars come down.  Wirku seems unrepentant, but he’s smashed the left rear bumper and bashed the bull bars.  A furious discussion ensues.  The driver says the cook will have to stay behind.  The cook refuses.  A compromise is reached whereby the poor cook’s boy stays, nine of us get into the Landcruiser, the kitchen and camping gear is tied to the roof, and others arrange themselves around our bags.  Needless to say, as the final loading takes place, rain begins.  It turns to hail.  Off we go.  The tyres have a little bit of tread left, but would clearly be illegal in the UK.  We grind to a halt three times, the vehicle unable to climb the wet rocks and gravel.  Most of us get out and walk up the hills.  Some are so squashed up in the back that it would take ten minutes to extricate them so they stay, but fortunately the vehicle just makes it.  We’re wet, pelted with hailstones, and some of the mud inevitably covers our clothes as we slog up the track.  After three steep sections the gradient levels somewhat, the calibre of the gravel is smaller and gives more traction, and we’re back in the vehicle for the long grind to the park gate, which we christen ‘Depark’ and now only 15Km to ‘Debark’.  At the park office it’s sad to say goodbye to Melaku, a calm and knowledgeable guide, and to Mohammed, who with his trusty gun was always at the rear to help the stragglers.  Having sat four in the back Lindsay makes it clear that Wirku can climb into the luggage compartment with Menber.  Eventually we are back at Fasil Lodge in Gondar at 6.15pm, darkness falling fast.  Fasil Lodge, run by a lovely family, seemed rather ‘low rent’ when we first checked in before our Simien experience.  Now it seems like paradise.

I wasn’t well enough to join the others at the Four Sisters restaurant last time we were in Gondar, but now off we go for some St George’s and Dashen beers and a good buffet.  The four sisters who run it are an interesting crew.  The two most obvious and pretty ones are front of house.  One trips back and forth between the restaurant and the kitchen.  The fattest one, all smiles and bonhomie, works the cash till.  ‘It ain’t over until the Fat Lady rings,’ someone observes.  A touch of euphoria there I fancy.

They say that ‘Adventure is hardship recollected in tranquillity,’ and this applies to our Simien Mountains trek.  A beautiful and fragile environment.  The government is paying villagers to relocate to return some of the land to the wilderness that it once was, which would give greater habitat areas to the endangered species within it.  But controlling it in a better way would allow the creation of some higher quality lodges within it, the digging and maintenance of proper septic tanks, and a limited service industry for those who want to trek there.  The Ethiopian Government could achieve what it wants for the park and yet sustain an eco-friendly tourist industry.


As an addendum, I would mention that on return to Fasil Lodge that evening, the receptionist is looking for me and acting on instructions calls Ethio Guzo in Addis.  Steve Olsen, the Canadian CEO of the company is on the line.  He has obviously heard something of what transpired at Chennek.  He’s unimpressed by the behaviour of Wirku, and offers us another guide for the next week of our trip.  Despite some misgivings, it seems unwise to persist with G.B.  Xerxes is delighted.  I think we are all relieved, and so within a day or so we meet up with Fekadu in Lalibela, who sees us through the rest of the journey.  So Ethio Guzo sorted it, and overall we had a great Ethiopia experience.  This diary is only concerned with the trekking.  We went at what should have been the start of the dry season, but the Simien Mountains are unpredictable, and therein lies some of their beauty and charm.  Try them.

Friday, October 24, 2014

The James plays


The James Plays

The earliest written use of the word ‘fuck’ probably appears in the play ‘Ane Satyre of the Thrie Estaitis’ by Sir David Lindsay, first performed in full in 1552.  Perhaps it’s not a coincidence that Lindsay was Scottish.  Rona Munro, in her new plays about the first three James, Monarchs of Scotland, obviously assumed that it was in common currency in the 1400s too, so that at times the dialogue on stage in these plays reminds one of the standoffs that occur between rival Celtic and Rangers fans at an Old Firm game.

One of the lines which has become famous is uttered by Margaret, Princess of Denmark, in trying to hold things together at the end of James III.  ‘The trouble with you Scots is that you’ve got fuck all except attitude.’  And there is certainly plenty of attitude on stage, in fistfuls and often fisticuffs.  But at the end of all this, are the plays any good?

We saw James III first, were unable to see James II (which most critics, and certainly friends in Edinburgh thought was the weakest), and finished off with James I.  In James III, the King, tautly and edgily played by Jamie Sives was an excellent foil for the undoubted star of the show, Sofie Grȧbøl, the Danish actress with an impressive curriculum vitae.  Sofie is best known to English audiences as Detective Sarah Lund from ‘The Killing’, where she usually ventures into dark buildings armed only with a Faroe Island sweater and jeans.  In James III however she is exquisitely dressed, and both her appearance and acting are regal and dominating.  In fact her diction and her English is so perfect that I found myself wanting to hear her to speak with more of a Danish accent!  Halfway through the first act of James III (subtitled The True Mirror) I was unsure how it was that the Scottish nobles hadn’t managed to get rid of James already, with his unsufferable and unrealistic ideas, together with a complete absence of funds in the privy purse to achieve them.  But as in Hamlet, one can’t end the play too early.  When Hamlet catches Claudius at prayer, he is able to kill him easily, but fails to do so for another two hours; and so we have to plod on until eventually James exits stage front right with his paramour and a bit of gratuitous male nudity.  Hamlet is a good play to keep in mind.  The machinations of Claudius have nothing on some of the Scots kings and nobles...
James III is also, probably intentionally, the funnier play.  Because of his apparent devotion to the arts, there is much more music, expertly provided by a band on stage (Red Hot Chilli Pipers take a bow), and a remarkably apposite and enjoyable version of ‘Don’t you want me baby’ by the Human League is a highlight, together with well-executed dancing from the ensemble.  Much fun can be had with James’ lamentations that all Margaret has brought with her as a dowry from Denmark is the Orkney and Shetland Isles.  ‘They’re very beautiful’ says Margaret, ‘You should get your Navy to take you there sometime.’  ‘When I want to see a bunch of Danish castoffs shagging their livestock and making bootees out of herring skins I’ll be straight up there’ retorts James.

James I (subtitled The Key Will Keep the Lock) is darker, and I missed the band, though there is some music.  There is an overlong scene in the King’s bed in Act II, which would have benefited from some editorial cutting, or at least honing.  The cast does not seem to be as strong either.  James McArdle, as James I, has a disconcerting habit of pausing for dramatic effect, but in a way which makes one feel that unfortunately he has forgotten his lines.  But he does at least make a transition from timid prisoner of the English to regal status.  Stephanie Hyam, Queen Joan, is undoubtedly pretty, but her voice does not carry further than the first ten rows.  Do Directors sit at the back in rehearsals to assess diction and enunciation these days?  One wonders.

There is an enormous dramatic opportunity which Rona Munro has not missed for James I to make a statement about Scotland and the quintessence of being Scottish.  He has emerged from the chrysalis of long term internment in England, seemingly at the wish of Henry V, to unite the Scots and to become a friend to England (a little known fact of English history is that Agincourt was not the be all and end all of skirmishes between France and England in the early fifteenth century, and the Scots were quite capable of joining with the French to fight their traditional enemy of England).  Plus cÄ… change.  So James returns to Scotland, and bearing in mind that these plays were performed in Edinburgh, shortly before the vote on Independence, he delivers a stirring speech which must have had them cheering to the rafters in Scotland.  At the National Theatre in London it seemed to be absorbed, just like Queen Joan’s diction, about halfway back in the Olivier Theatre’s comfortable padded seats.

There is much more than narrow Nationalism in the plays however.  The central theme is Kingship, and its use and abuse.  How to be a King is a recurring theme from Sophocles to Shakespeare.  The Key Will Keep the Lock refers to security and the rule of law which James is keen to implement.  James I gets it mostly right, but makes fatal errors.  James III never gets it right, but fortunately has Margaret to pick up the pieces.  There is something to enjoy in all this, especially James III, but Scottish ‘attitude’, especially in James I seems to be portrayed in a torrent of ‘fucking’.  Restraint is an excellent and too little used strategy.  In John Cleese’s famous sketch, where as Pope he is interviewing Michelangelo, he eventually comes out in exasperation with ‘I ought to know: I am the head of the fucking Catholic church’.  And the effect is uproarious.

‘You praise the verve with which they write,
I’m with you there of course.
They use the snaffle and the curb all right
But where’s the bloody horse?’

RIP (Restitutum In Patria – Gie us back wir Country) Alex Salmond.

A review by Andrew McLeod (Scottish but wasn't entitled to vote)


Sunday, August 24, 2014

Edinburgh Festival Fringe 2014

Edinburgh 2014

Somewhere up towards the University around Nicolson Square a chorus of girls in flowing Greek dresses, well, neatly stitched old sheets, seem to be giving a performance of Aristophanes’ Parliament of Women.  Or perhaps Lysistrata.  Whichever it is doesn’t matter much, their chanting blown away on the Lothian breeze.  The choreography is good – Aristophanes gone disco.  I’m not sure if this is the entire performance or if it’s a trailer.  It doesn’t matter.  This is the Edinburgh Festival Fringe, and everybody is happy, everybody is enjoying themselves.  Well, mostly.  A retired medical colleague we have coffee with at the Book Festival in Charlotte Square, who works as a volunteer in Gaza, brandishes a newspaper article by Elie Wiesel calling for everybody to stop the killing.  He says that Israel rejected child sacrifice 3000 years ago (Abraham and Isaac in case your Old Testament knowledge is a bit rusty), now it’s Hamas’ turn.  See: http://mondoweiss.net/2014/08/wiesel-holocaust-trump.html 


Silhouettes of the Scott Monument and the North British (now Balmoral) Hotel

Trust my friend Glenys to come up with the unexpected.  At the Book Festival we also meet an American artist called Marie-Louise, a stick thin lady who lives between Nice and Monte Carlo and clearly doesn’t need to work.  However, she is here, inflicting her art work on the masses.

Glenys urges us to spend longer in Edinburgh, and being semi-retired I should be able to do so, but life seems to be so busy.  Two days of starting festival going at 10am and falling into bed at 1am after an average of five shows and two or more exhibitions take their toll and require a holiday to recover.  I guess if I was here for longer it would not be so frenetic.  So here are the highlights and the lowlights.

Guy Masterson (hit show Morecambe) is here again, this time a 1½ hour recitation and performance of some of Dylan Thomas’s best poems and stories, entitled Fern Hill and Other Dylan Thomas.  His rendition of the Visit to Grandpa and the Day at the Seaside are probably the best.  When it comes to the poems, I’m still thinking about those crackly Caedmon Records’ recordings of Dylan’s of 60 plus years ago, and I find it difficult to think of any other.  That wonderful musical sonority... A big year for Dylan, his centenary in fact, DT-100.

On to ‘Mallory - Beyond Everest’ by John Burns.  A one man show which imagines that George Mallory survived and achieved the first ascent of Everest.  Although this was perhaps not the best show I've ever been to, it was something of a slow burner in my mind, with the separate scenes where Burns recites from Melville’s Moby Dick initially jarring, but somehow coming to seem the appropriate literary parallel of an obsession overtaking a man’s existence.

Briefly a lunch, a trip to the Scottish National Gallery for the Titian exhibition (am I alone in finding Diana’s head in ‘Diana and Actaeon’ not quite naturally realised?) and reacquaint ourselves with the many masterpieces of Scottish Art on the lower floor.

The odd turkey.  An hour of cabaret in the Spiegeltent concludes with the dire Phil Kay, a man who plays the guitar and makes up extempore songs on themes the audience throw at him.  The trouble is that he is unsuccessful at both.  Glenys says that he has quite a following in Edinburgh.


Dundas House, Palladian, early George III.  Home of RBS.  Opposite the Spiegeltent in St Andrew's Square.


Off to ‘A Room in the West End’ for dinner and then to St John’s Church for Simply Soweto Encha, the find of the day.  A five-strong a capella group in the tradition of Ladysmith Black Mambazo.  Great dancing as well.  Finally we end up at the Freemason’s Hall in George Street for ‘The Hat Pack’, late night cabaret, which is sort of okay.  The MC is a lugubrious Welshman called Dai Lowe, a friend of Glenys’s who has a nice line in witty poetry (published as ‘Parodies Lost’).  The final performer is a largish lady known as Woody, aka Woodstock Taylor.  In fact she looks rather like Jo Brand and gives us a rendition of several numbers including most of the notes of Georgia on my Mind, but not all.  A remarkable reunion with my former classmate at Medical School, Dr Rick Donmall, who is in Edinburgh for a three week residential piano course.  I have a wonderful memory of hearing some elegant piano music in the UCH students’ union building in Huntley Street, following the sounds, and finding Rick playing Satie, circa 1971.  So he must be pretty good at the piano by now...

I should mention the Scottish Diaspora Tapestry in St Mary’s Cathedral.  Tapestry from all over the world and still growing (see pictures).  Wonderful.

Scottish Diaspora Tapestry - a visual story from Prince Edward Island, Canada


Our next day starts with separation, me to the Museum of Modern Art for the ‘American Impressionism’ exhibition.  Glenys and Lindsay to the Fringe for Lavender Junction, an autobiographical piece about India.  I liked the American impressionists, Cassat, Benson, Hassam, Bunker, Merrit Chase, Sargent, etc, and many of them visited Monet at Giverny, so there was a smattering of Monet, Degas, etc.  In fact many were quite taken with Monet’s stepdaughter, Suzanne Hoschede, and one of them, Theodore Butler, married her.
Back to the Grassmarket and we sit outside for lunch!  Schiehallion beer.

On to Peter Henderson’s one man show, ‘Who did I think I was?’ in the loft at the Counting House, West Nicolson Street.  This is an autobiographical piece about his turbulent relationship with his father, Gordon Henderson, DFC, the C.O. of Lindsay’s father’s squadron in the RAF (225).  I am sure we all realise that war heroes are not necessarily the easiest human beings to get on with.  I know from a friend how difficult an individual Douglas Bader was, for example.  Gordon was a flawed human being (aren’t we all?), but he was clearly an inspiring leader in the Second World War.  After one of his later illnesses, due mainly to cigarettes, all of the surviving members of his Squadron came to visit him, and this was mentioned in the play.  This was an experience that I found deeply moving.  Peter laid his innermost thoughts completely bare.  His bewildered reaction to his mother’s schizophrenia and her eventual suicide brought tears to my eyes.  Despite the tiny venue (capacity audience 35), his 4 star review in the Scotsman has meant that he has played this piece to good crowds every day.  On the day we went it was clear that the audience were with me in opinion.  It would be wonderful if it could be redone on TV – whatever’s happened to the BBC’s New Writing experimental pieces?

Peter Henderson plays his father in 'Who did I think I was?'


Another turkey.  The St George’s Hospital Medical School revue, in the Wee Red Bar in the University.  What happened to the wealth of thespian and musical talent that Medics’ Revue used to be?  In the 60s and early 70s, St George’s had a musical group of near professional standard, in Temperance Seven style, called The Gonads.  No longer.

In view of the fact that we are near the Edinburgh College of Art, we go into the exhibition.  A bit curate’s eggish.  We participate in a contemporary piece of performance art.  "Participate in a new experimental artwork that explores proprioception, haptic communication and movement."  We go separately, shoeless, into a small dark room and Justine Lim, a lithe and sexy Chinese (MA Contemporary Art) places us in various postures.  I’m enjoying watching Justine bending into various postures placing the other subjects but she tells me that I’m meant to close my eyes.  My postures are somewhat unexciting and uncomfortable because she rushes off to reposition some of the other participants.  When I sneak another look only two or three minutes later I see that Lindsay and Glenys have already had enough and have sneaked out...

Dinner at Angels with Bagpipes in the High Street.  Then rush to Piaf – Love Conquers All, a re-enactment of Edith Piaf’s life with songs by Laurene Hope.  Pretty good, three to four stars.

Angel With Bagpipe - neo Scottish school?


Lindsay and Peter at Angels with Bagpipes


Glenys McLaren - my hostess, guide, and she claims, the sister I never had.  Made me feel welcome on my first day in Medical School and continues to do so xx years later


A long brisk walk through Prince’s Street Gardens to Glenys’s club, the Scottish Arts Club, a haven and time warp in Rutland Square, before a final dash to St Andrew’s Square again for the very good late night cabaret ‘La Clique’, a sort of Cirque du Soleil in the Spiegeltent.  Great live house band.  Amazing acrobatics from a couple of girls from Kiev (sort of pole dancing with a difference) and a repeat of Ursula Martinez’ famous disappearing handkerchief striptease to round off the show (sorry no photograph this time but you can find Ursula’s original on Youtube).

Edinburgh Castle at dusk from Prince's Street Gardens


My pedometer, which does overread a bit, suggested 15 miles walked on the second day.  All through a wonderful city, from the Waters of Leith to the Royal Mile.  The variety on show at the Festival is fantastic, but it’s difficult to choose good performances all the time, and if it’s good you can be sure it will be either packed out or sold out or both.  If you are physically fit it’s a great way to explore.  Old Edinburghers tend to be a bit sniffy about the festival, but I’ve been coming off and on for forty years, and if you get the dose right the tonic effect is marvellous!



Appendix – Carfest South 2014


A walk on the Hampshire downs, a sight of Highclere House (Downton Abbey), an underwhelming night at Marco Pierre White’s Carnarvon Arms, and a day at Chris Evans' Carfest.  At least it was in a good cause - for Children in Need.

Carfest South 2014
Lindsay with Innes Ireland's Ferrari
The Red Berets drop in to Carfest
Chris Evans auctions up a storm at Carfest
James Martin - Un Chef de l'Essence (Petrolhead)
Chris Evans in Chitty Chitty Bang Bang
And it's goodbye from us...

Friday, August 8, 2014

Cycling North Dorset



I reflect on how lucky we are to live in Dorset.  While Scotland is being buffeted by rain and gales we have had two lovely days on our bikes.  Lovely but demanding.  Dorset is hilly.  One of our hills (which is not for cycling) is in the news today.  Hambledon Hill is to be taken over by the National Trust.  Spectacular iron age fort, visible from one of our rides today – the hill above Oakford Fitzpaine.  Our routes have taken us past some of Dorset’s most picturesquely named villages, Bradford Abbas, Milborne Port, Ryme Intrinseca, Yetminster, Sydling St Nicholas, Cerne Abbas, Bishops Caundle, Glanvilles Wootton, Winterbourne Stickland, Fifehead Neville – and many more.  One can imagine an Agatha Christie mystery in any of them.  Hedges full of Old Man’s Beard, Rosebay Willowherb, Scabious, and in one magnificent (secret) location, thousands upon thousands of ripe blackberries.  Thanks to the generosity of a friend we spent one night at Plumber Manor where the Prideaux-Brune family have managed to maintain a 70s or 80s time warp, and a feeling of peace and tranquillity.  Thanks also to the Royal Oak in Okeford Fitzpaine and the Plume of Feathers in Sherborne!

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Refreshment in Sherborne

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Milton Abbey


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Lindsay and Richard Prideaux-Brune at Plumber Manor


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Plumber Manor - what we would all like our herbaceous borders to look like


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And the sweet trolley hasn't changed


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But the sweets are just as good



Tuesday, August 5, 2014

The South Downs Way - Eastern Section

South Downs Way – 25-26 July 2014

We walked the last 33 miles of the South Downs Way from Ditchling Beacon to Eastbourne.
On the day prior to this we attended La Traviata at Glyndebourne.  Wonderful singing from Venera Gimadieva as Violetta.  Our outfits for the opera differed somewhat from our South Downs Way attire.



A slightly belated start because of the drive from one B&B to another and the hassle of getting a taxi back to our start point.  It’s a sweltering hot, hazy, sunny morning on the top of Ditchling Beacon as we start Eastwards.  Within a few yards, an amazing figure walks towards us.  He looks to be in his 40s, is wearing walking boots, socks and shorts and using walking poles.  But his gait indicates that he has severe spastic diplegia – a form of cerebral palsy.  His scissored legs mean that he makes progress by a major rotary action of his frame and has no real distance to each stride.  He is sweating profusely and has clearly covered a number of miles already this morning.  What an inspiration for us supposedly more able-bodied individuals.  If you ever read this, South Downs Way walker, I would love to know more about you.  Congratulations on your perseverance and obvious endurance.

Along the ridge at Plumpton Plain, the Way is mostly over soft springy turf.  In general, only where paths slope more steeply up or down hill is the Way eroded away sufficiently to make it the rough chalk and flint track so characteristic of the South Downs.  Patchworks of fields recall the blocks of colour and pattern created by Eric Ravilious or Paul Nash.

As we descend to Housedown Farm, the long hot spell has turned the wheat and barley to dry gold and the harvesters are out mowing the fields in a perfect geometric pattern, no doubt guided by GPS, clouds of chaff streaming like smoke from their interior.  At Housedown, a luscious plum tree has grown over the wall and provides refreshment, as does one of the occasionally sited taps for fresh water supplies on the Way.

A typical SDW view

Rising up the Newmarket Hill on the opposite side of the A27 we turn East again on Juggs Road, a track heading Southeast past a number of ‘bottoms’.  There is Loose bottom, Stump bottom, Home bottom and Long bottom.  We pass above attractive villages such as Kingston near Lewes, Ilford, and Rodmell.  The latter contains Monk’s House, the home of Virginia Wolf from 1919 until her suicide in the River Ouse in 1941.  Leonard Wolf lived on here until 1969.  Nearby Firle contains Charleston Farmhouse, the home of her sister Vanessa Bell.  Despite our wish to improve our knowledge of the Bloomsbury set, we have ‘miles to go before I sleep’ and stick to the ridge until we descend to the beautiful village of Southease.  This is where the route crosses the River Ouse, the railway, and the A26, all in quick succession.  The church at Southease is very old and has an unusual circular tower (unusual for Sussex).

Southease Church

Then on up Itford Hill, occasionally passing one of the famous ‘dewponds’, and along the ridge until after a total of 17 miles we reach Bo Peep Lane, the road that takes us down to our farmhouse B&B.  All along the field borders, the hedges contain a profusion of wild flowers, with ox-eye daisy, knapweed, and scabious prominent, but many I don’t know.


Before we descend we look to the northwest where behind the hill to the East of Lewes stands the wind turbine which supplies the rather unattractive and unmistakable grey roof of the opera stages and the circular tower of Glyndebourne opera house.

Glyndebourne from somewhere above Southease

Dinner is in the lovely Rose Cottage pub in the nearby village of Alciston.  Excellent, as is the Harvey’s Sussex bitter.

Nightfall at Bo Peep farm
On Saturday we can start walking straight from the farm.  Up the lane and onto the broad back of the downs at Bostal Hill.  Down into the pretty village of Alfriston.  As we exit the bridleway a man in a car labelled ‘Plod’ is directing us left and not straight on as the SDW sign indicates.  It turns out that the ‘Plod’ refers to a walk and not a policeman.  It’s in aid of a medical research charity.  Walkers started the previous midnight at Devil’s Dyke (West of Brighton) and are walking 40 miles to Beachy Head.  Assuring him we are not on the ‘Plod’ we walk on, but further on we come across some unfortunate plodders, by now mostly walking in agonized postures, though there are a few who still look as if they are just out for a weekend stroll.  Along the Cuckmere River in the valley it’s intensely hot.  At Lillington the ladies of the W.I are selling cakes which we buy.  Resisting the temptation to ask about their version of this year’s calendar we climb up and down in woodland until breaking out on the last hill we look down on the beautiful meandering Cuckmere River as it reaches Cuckmere Haven at the start of the Seven Sisters Country Park.

The White Horse of High and Over

The Cuckmere River reaches the sea.  Cuckmere Haven and Seven Sisters Country Park

Cuckmere Haven by Eric Ravilious


Up and down over the Seven Sisters (the famous undulating chalk cliffs leading to Beachy Head) we find that there seem to be more than seven.  Indeed the apparent lighthouse on the cliffs at the end of the skyline turns out to be Belle Tout lighthouse, the original 1831 light structure, and Beachy Head itself is another substantial haul along the cliffs, the smart red and white lighthouse of Beachy Head itself mounted on rocks in the waters below.  

Looking West on the Seven Sisters




Beachy Head at last.  Looking East

The End - or perhaps the Beginning?  As TS Eliot would say... or to paraphrase Churchill it is 'the End of the Beginning'


After this it’s a straightforward mostly downhill slog into Eastbourne, where we see the pier just a few weeks before it’s gutted by fire.  Taxi back to Bo Peep farmhouse where the lady owner has had a power cut and unfortunately has to cancel her Saturday bookings.  Improvements in the A27 mean we are back in Poole two hours later...  We will be back on the South Downs Way some time in the future.