Here's one for those with a medical bent -
Would Nicola Stugeron be good for restoring a sense of equilibrium in the Labour Party? Or merely help to combat nausea?
For those who are wondering what unemployed political leaders might be up to -
Walesoncraic is an extraordinary website, but I don't know who runs it. A fun page on its site is entitled, 'What if famous Welsh people had had mobile phones back in the day' with entertaining texts from such legends as Dylan Thomas, Richard Burton, Gareth Edwards, JPR, and Owain Glyndwr...
http://www.walesoncraic.com/if-famous-welsh-people-had-mobile-phones/
But seriously for our friends and relatives across the sea, it has been a fascinating few days with a remarkable end result. It seems clear that the Labour dogma of class envy just did not appeal to a majority - because the majority of people are working hard to better their own lives. Ed Milliband's resignation speech indicated clearly that he had not thought this through, whereas Nick Clegg's resignation speech was full of thoughtful introspection. Even Farage's resignation speech was well thought out, though parenthetically you could here him saying, 'Look, that's enough of this caper, I'm off to the pub for a pint and a fag (that's a cigarette to you Americans).'
I do believe that people were terrified of what Labour would do to the economy, given their previous track record under Gordon Brown, and some if not all would have been aware that both Ed Balls (Shadow Chancellor) and Ed Milliband were key members of Gordon Brown's 'think tank' on economic matters.
Two more items, one poignant, but both of historical interest. Following a letter to the Daily Telegraph about a fighter pilot who took a teddy bear with him on all his missions in WWII, a plethora of spin off letters and the teddy bear went viral. But I noticed the following letter a few days later, which said more about life in general, I think:
Valiant Bear
SIR - I was interested to read about the teddy bear that accompanied a Battle of Britain pilot (report, April 21) as I too have a little bear, with my maiden name tape sewn on it, which I gave to my fiance to take with him on his operations over Germany during the Second World War. He was a Mosquito Night Fighter pilot and flew 50 ops accompanied by my bear, and together they won the DFC. We were married for 50 years but now, sadly, I just have the bear.
Jean Mellows
Dorking, Surrey
And this too is of historical interest, though perhaps in a different sense. It appeared in the Daily Telegraph on or about St George's Day (23rd April for those in other countries). A 'Sketch' from Michael Deacon:
Handy with a lance, that St George, but would he make it through immigration?
UKIP, it might not surprise you to learn, was the only party to hold press conference devoted entirely to the subject of St George's Day. As journalists entered the room, party officials were handing out red-and-white jester hats hung with tiny St George's crosses. Patrick O'Flynn and Peter Whittle, Ukip's two spokesmen on St George-related issues, sat at a table decorated with English flags. Journalists invited them to wear the jester hats, too. Somewhat unpatriotically they declined.
Ukip has pledged to make St George's Day a bank holiday in England and St David's Day a bank holiday in Wales (just as St Andrew's Day is in Scotland). St George, of course, was not himself an Englishman: he was born in what would now be Turkey. I asked whether Ukip would prevent St George from coming to live and work in England, or whether the party would consider him a skilled migrant.
"Well, I guess dragon-slaying is a skill," said Mr O'Flynn. "But whether it's one that is in short supply for the British economy would be a matter for our migration commission."
Not an unqualified welcome, then. Mr O'Flynn did add, however, that he wasn't "particularly hung up" about "where St George came from", which I hope Ukip's migration commission will take into account in its deliberations.
Over in Ramsgate, in the South Thanet seat he's contesting, Nigel Farage had arranged a celebratory drink at a working men's club. The bar was festooned with English flags; the tables had them as tablecloths; even the barmaid's baseball cap had a St George's cross on it.
Mr Farage, a red rose blooming from his buttonhole, sauntered behind the bar for the inevitable photos of him pulling a pint. Revelation of the day: he doesn't like Foster's. Odd. I though he wanted an Australian-style pints system.
He posed with an England flag, then a plastic England hat, then an apron with an England flag on it. He also complained that England "gets a rotten deal" compared with Scotland. "Our politicians are ashamed of the English flag, and they've appeased Scottish nationalism. The history of appeasement is, if you keep giving in, they only come back and ask for more!"
Wasn't the United Kingdom Independence Party in danger of morphing into the England Independence Party? "We're the only party with elected representation in all four corners of the UK!" he trumpeted.
"But here in Thanet we are certainly not ashamed to be English!" He then rolled up his jacket sleeve to reveal England flag cufflinks, and announced that he'd had roast beef for lunch and was having fish and chips for dinner.
Did he really mean to quit as Ukip leader if he loses in South Thanet? "Quit?" he cried. "I'll be gone in 10 minutes!" I have a strange suspicion that even the people who hate him would miss him.
As I said, of historical interest only, but great fun.
Finally, to interject a really mundane note, I hope to post some photos soon of our epic trip to Yorkshire last week, a county which is so different from Dorset that one can only wonder if where Nicola leads in Scotland, someone in a flat cap with a sheepdog (or to bring it right up to date - a sheepdog on a quad bike) will surely follow. Passports to get into the Yorkshire Dales? Don't whisper it too loudly...
Sunday, May 10, 2015
Thursday, April 23, 2015
Poole Dream Machines
Poole's tourism division come in for criticism from time to time, but a little while ago they came up with a winner - Bike Night. Bike nights happen on Poole Quay on a Tuesday evening. The Quay is closed to all traffic except motor bikes and for a pound a head, any biker can roar down the main drag and park their machine in as prominent a position as possible, hoping to attract the attention of the judging committee who decide on the 'Bike of the Night'. Tuesday 21st April being a beautiful evening, the event attracted more than a thousand bikes, of every size, shape and description. Although this is a 'Blog', only a few photos can capture the essence...
That's all folks!
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| A mantra for our times... |
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| Thirsty work riding those machines |
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| Meanwhile all is tranquil in fisherman's dock |
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| Last week's 'Bike of the Night', the NSU Quickly, made between 1953 and 1962 |
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| Could this be a lady's model - one careful lady owner? |
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| Owned by The Axeman |
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| Is it a man, is it a plane, is it a Porsche? No it's a motor cycle (I think) |
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| I'm not sure about this one... |
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| Wow! |
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| A touch of classic class - I don't know it's age but the company finished production in 1955 |
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| Another Classic |
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| The Kaskelot, a classic 3 masted barque |
That's all folks!
Thursday, April 2, 2015
Alphonse Mucha, Bournemouth, & Hamlet starring Maxine Peake, nationwide cinema release
Alphonse Mucha – Russell Cotes Museum, Bournemouth
Hamlet – cinema production – Manchester Royal Exchange
Theatre starring Maxine Peake
Alphonse Mucha was a Slavic artist, originally from Moravia,
who remained a lifelong supporter of national identity for a Czech, or in his
time, Czechoslovakian, homeland. He is
most identified however for his association in the 1890s and early 1900s for
Paris and the movement of Art Nouveau, a term which he himself derided. Nonetheless, his swirling colour lithographs
of Sarah Bernhardt and seductive female subjects, advertising everything from
plays to cigarette papers, are instantly recognisable. The Mucha foundation, family descendants who
have sought to preserve his art from pastiche and plagiarism, have staged
exhibitions all over the world. Looking
at the beautiful images they have brought here to Bournemouth one has the
feeling that it can only be a matter of time before the Royal Academy becomes
involved. So if you are on the South
coast between now and September this is your chance to see the originals,
including some exquisite pen and ink drawings and some photographs of models in
his studio which in their realistic poses create the curves which were later
applied to the lithographs. Here is a
small sample of imperfect reproductions of what is on show.
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| The Seasons |
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| Advertisement for Monte Carlo |
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| La Trappistine - an advertisement for a liqueur |
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| A bicycle advert! |
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| Sarah Bernhardt as Hamlet |
This last image, of Sarah Bernhardt as Hamlet, is
appropriate because it illustrates the maxim that there is nothing new under
the sun and leads me on to discuss...
Maxine Peake as Hamlet
Sydney Smith stated ‘I never read a book before reviewing it;
it prejudices a man so’. Despite
temptations I haven’t read the critics’ reviews of this production which
started life as a Manchester Royal Exchange Theatre play and has now been
filmed. Why no critics? Well, I have something of a preoccupation
with the play, having acted in it, read almost every major book about it, seen
the Russian film 5 or 6 times, most of the other films, and several major stage
productions (Albert Finney at NT; Jonathan Pryce at Royal Court; Derek Jacobi
at Old Vic; others which I can’t remember but were probably less compelling),
and a punchy First/Second Quarto version which carries more of the action but
less of the poetry. It’s always
interesting to see a new interpretation, and there is usually something novel
which the director has come up with. To
read a critic’s view is to focus on what they saw, rather than what you can see
for yourself. About the only teaching I
remember from Dr William Gooddy, famous neurologist at UCH, was his remark
during a teaching session one morning that ‘To be a critic you have to
positively enjoy being second rate’.
Famous neurologist he may have been but his teaching was frustrating in
that it was almost never anything to do with neurology. We learnt more from his brilliant senior
registrar Chris Frears...
So let’s deal with the play’s direction first. It had some interesting quirks! It’s certainly the first time that the
graveyard and earth have been represented by discarded clothes, and poor
Yorick’s skull a folded up sweater, but this at least allows the gravediggers
to prepare burial space for Ophelia pretty quickly. Fortunately we didn’t have that Russian
pianist’s skull on stage, the one whose final ambition was to play Yorick,
which of course he did very well indeed since Yorick doesn’t have any lines to
speak. This is not true in the Russian
film of Hamlet in which Yorick is shown in flashback, a sort of amiable
Rasputin figure bearing Hamlet on his back, true to the line ‘He hath borne me
on his back a thousand times’. Most of
the strategies used in the direction of this play worked, though when the
curtain metaphorically went up and we had guards in dayglo jackets with walkie
talkies I thought ‘Oh no here we go again’, but the modern setting didn’t
detract too much. It did jar oddly when
all of the weapons until the fencing scene were revolvers. I was beginning to wonder exactly what
weapons Hamlet and Laertes would use, especially after Polonia (yes, Polonia,
the female alter ego of Polonius) had been shot by Hamlet. Fortunately she had not been hiding behind
the arras so H got a clean shot in and Polonia crumpled instantly. I remember that when we acted in the school
production (King Edward’s, Bath, mid 1960s) we had some childish but enjoyable
wordplay with the direction ‘Polonius got stabbed in the arras’. The revolver jarred most when Hamlet
soliloquized that he could end it all ‘with a bare bodkin’. I resisted the temptation to point out that
he/she didn’t have a bare bodkin handy.
The director also made some strange cuts – ‘These are but wild and
whirling words, my Lord.’ went; as did Hamlet’s retort to Polonius as he leads
the players off, ‘... Use every man after his desert and who should ‘scape
whipping.’ Horatio’s wonderful lines,
‘But look, the morn in russet mantle clad, Walks o’er the dew of yon high
eastern hill’ etc. are mysteriously allocated to Marcellus (Marcella in this
production). How do I know this? Well, Marcellus was the part I played –
pretty small you will agree, and it would have been nice to have those extra
lines. In a school production however,
being a soldier guaranteed you walk on parts at every other stage of the
play. ‘Where are my Switzers? Let them guard the door...’ (Yes, I was a
Switzer); ‘Go, take up the body...’ Yes,
I was a pallbearer. A role I would have
carried off with my other three colleagues with some aplomb, but for Pete Rickard,
the overweight one of our soldiers. Our
Director, the incomparable Trevor Elsom Rhymes, had a brother who worked for
the RSC. We were loaned RSC imitation
chain mail bodysuits. But the RSC had
not bargained for the bulk of Pete Rickard.
At the dress rehearsal there were sounds of strain as we bent to pick up
the lithe form of John Oliver, a majestic Hamlet to my mind. At the first performance, Pete’s bodysuit
ripped from stem to stern, an eerie noise in the solemn silence... We carried John off with heaving shoulders,
our sobs being sobs of laughter and not sorrow.
How did we not drop him? In the
Manchester production the sex changes didn’t matter much; I didn’t find them
distracting. When the director has chosen the prettiest boy in the school to
play Ophelia, and Gertrude has a mellow alto voice it matters little to the
true connoisseur. At King Edward’s we
were Shakespearean to a T.
If you've followed me thus far, please allow one further
indulgence, while I deliver a eulogy to John Oliver, our school Hamlet. John was the late Minister in the difficult
and troubled parish of Cape Town; a man so loved and admired in South Africa
that Bishop Desmond Tutu gave the eulogy at his funeral. John was an aesthete; he was immensely
gifted. He played the clarinet
exquisitely. He arranged Sidney Bechet’s
‘Si tu vois ma mère’ from soprano sax to clarinet and played this wonderful
piece at a school concert. His voice was
one of pure poetry. The nearest Hamlet I
have heard to his was Derek Jacobi’s poetic interpretation. In fact, his voice was so wonderful we used
to get him to read poetry to us in the Prefect’s room during break. Not for us the strains of Dylan Thomas or T S
Eliot; I’m ashamed to say that we got him to read sections of Lady Chatterley’s
Lover or the less salubrious bits from Terry Southern’s ‘Candy’, a novel of the
time girded with marvellous sexual obscenities.
I still remember the beautiful way he said “‘Oh gosh’, said Candy”. These gifts apparently stood him in good stead
in the pulpit in the townships of the Cape...
When John took on the role of Hamlet in our school production, Trevor
Rhymes wrote in the programme that ‘Only once in a generation is one privileged
to find a schoolboy actor who can take on this role’; and in the programme for
this film, Sarah Frankcom echoes this and writes, ‘As a director I think you
can only begin to think about doing Hamlet if you are absolutely passionate
about a particular actor...’ (Not too
passionate I hope Sarah).
One other directorial surprise in the Manchester Royal
Exchange production. At the interval,
after harrowing scenes in Gertrude’s bedroom, I commented to my long suffering
wife that I was surprised that the Director, Sarah Frankcom, had cut the best
known speech in the play, ‘To be or not to be...’ But it turned out that she had merely shifted
it to a later part of the play. It did
not seem to suffer by its transposition.
And so to the cast.
The reason why I initially became captivated by Hamlet, even before
acting in or seeing the play, was an interview on TV with Laurence Olivier,
where he was asked about his interpretation, and how he maintained the
intensity of his performance. He replied
that he had read the book ‘Hamlet and Oedipus’ by Ernest Jones. Ernest Jones was a psychiatrist, a disciple
of Sigmund Freud’s, and in fact worked at the hospital which I would one day explore
as a medical student. I read the
book. It all seemed to fit
perfectly. Olivier said that for better
or worse he believed in that interpretation, right or wrong, and he stuck to
it, and it made every scene easy to play.
This is a long winded way of saying that Hamlet is in love with his
mother, and it’s important therefore that Gertrude is sexually alluring to
him. I know that almost nobody is going
to read this review, which is fortunate, because sadly Barbara Marten is too
old. She looked a million dollars,
elegant and refined; but in a post menopausal way, and her diction and acting
skills were superb, which one could not say of the entire cast. If one subscribes to the Olivier/Jones view
then she was miscast. Claudius was
played by John Shrapnel. What a
trouper! When one reads his acting CV,
it’s not hard to understand why he was in many ways the best actor in the
production. Training with Olivier, and
working with NT and RSC, his acting and diction were a joy. Excellent support came from Ashley Zhangazha
(Laertes) and Thomas Arnold (Horatio).
Ophelia is such a difficult role, I should pass over it, but Katie West
in the madness scene, elicited sympathy as she tore off her clothes and sobbed
in a semi-catatonic state. Finally I
should mention Gillian Bevan, who was superb as Polonius, sorry, Polonia. She must have had great fun with this role and
as senior politician in the court, more than once a flavour of Margaret
Thatcher came out.
Before I move to Maxine Peake, I should mention that in our
politically correct times, the Film Censors insist that we should be forewarned
about what we are about to see. I
snorted with amusement (I mean the phrase) to see that the pre-show warning
stated, ‘Drug taking; mild violence’.
With five murders and a suicide how could it be otherwise? But the drug taking? Problem solved. Rosencrantz and Guildenstern, punky student
pals of Hamlet’s turn up with some white powder in a packet; unsurprisingly our
Hamlet turns it down. She only has to
prevaricate for another couple of hours before stabbing Claudius and she
doesn’t want her judgement clouded by cocaine.
And why did the censor not mention ‘sexual references’? Hamlet’s mock masturbation with the book
she’s reading when Polonia finds him, sorry, her (the ‘Words, words, words’
speech)? Appropriately the book is
Machiavelli’s ‘The Prince’.
So Maxine is a very compelling actress to watch. She acts superbly. But in the energy and the vigour, a little of
the verse speaking goes. Compare the
pacing of John Shrapnel’s delivery...
The trouble is that she has a lot to get through – the uncut version of
Hamlet runs to 4½ hours, so something has to be speeded up. And Maxine’s enunciation of the letter R and
a terminal T at the end of a word are sometimes not as clear as they could
be. But it is a play that begs to be
cut. The Russian film achieved this
superbly. It ran to 140 minutes in a
screenplay by Boris Pasternak with music by Shostakovich. Peter Brook admired it greatly. The sonorous and beautiful Russian sounds are
accompanied by subtitles, so diction is not a problem.
You may think I didn’t like this production. On the contrary; it had energy and was
compulsive viewing. It was the fastest
selling production in the MRE’s history – but this surely has a lot to do with
the novelty casting and the fact that Maxine Peake is such a well known figure
on television. I cannot say whether the
other recent celebrity Hamlets (David Tennant; Jude Law) were successful. I try to avoid celebrity productions. For example, having twice been to see Daniel
Radcliffe in the West End I will go out of my way to avoid him and his Harry
Potter groupie audience, whatever the play.
One day, heaven forfend (‘Angels and ministers of grace, defend us...’),
no doubt he will play Hamlet and I will not be there to see it.
If you have read this to the end, congratulations. ‘Brevity is the soul of wit’, but not here
alas!
Sunday, February 8, 2015
What to do during the winter months...
How the winter months drag...
Twilight lasts longer at 50 degrees north (Poole) than the continent, the US, Canada, or even Australia. Not as long of course as Scotland, Iceland, or Svalbard. But it still can be trying as the cold dry north winds of this week, and even some snow in Dorset, make us focus on what else might be around to entertain us.
Svalbard is on people’s lips these days, thanks to Sky Atlantic’s mega-series Fortitude. Set in the mythical arctic town of Fortitude, it’s actually filmed in Iceland (complete with extra snow carted in from England in view of the mild Icelandic climate during filming). So far the outstanding feature is the scenery. We are asked to believe that the temperature is around minus 30 degrees. This therefore strains one’s disbelief a bit during some of the obligatory sex scenes. There is outdoor (well, in a shed with the door open) coupling. The big black guy who is the local helicopter pilot seems appropriately dressed in a massive down suit (apart from dropping his trousers) but the attractive Spanish barmaid seems to be risking hypothermia or possibly labiovulval frostbite. Having visited Svalbard I can confirm that residents do carry rifles around with them, but not in downtown Longyearbyen, and I didn’t see any 10 year old girls hefting guns on their shoulders. The plotlines seem a bit ludicrous (Sophie Grabol who is the Governor is desperate to build an ice hotel in the glacier. Has nobody told her that glaciers move?). A little boy has developed a mystery febrile illness which rendered him unconscious. “Nothing rots here” says one character. “It’s a perfect forensic laboratory”. Just as well in view of the grisly murder perpetrated in episode one. But I think he’s referring to the mystery illness. It’s a documented fact that the great flu pandemic of 1918 to 1920 killed victims who are buried in the permafrost in Svalbard, but when they exhumed the bodies to try and isolate it the virus irritatingly refused to come to life. Finally the other item which has emerged from the glacier where Sophie longs to build is a partly preserved mammoth. Michael Gambon who is a naturalist photographer with a terminal illness is threatened by the Governor with expulsion if he goes around shouting about his discoveries. “You are not allowed to die here, you know” she tells him. Not true. You can die in Svalbard but you get shipped back to the mainland for burial. Jessica Raine, Christopher Eccleston and others contribute. We await events...
Meanwhile, in the arctic twilight of Poole Lindsay keeps disappearing to watch Silent Witness, where Emilia Fox wrinkles her nose in that attractive way of hers at another grisly discovery, but having started my Charlotte Brontë novel, Shirley, I have preferred to finish it, even if there is quite a bit of literary excess (it may not surprise you that the heroines get married in the end, one of the few ways of ending a novel written by a woman in the first half of the 19th century). Digressing about Shirley for a moment, one of the most remarkable and tragic facts about the novel is that during 1848 and 1849 when Charlotte was writing it, she nursed in succession, her brother Branwell, her sister Emily, and her final remaining sibling Anne, who all died from tuberculosis within the space of nine months. Charlotte survived only another six years.
And we are still in touch with Broadchurch, another mythical town, this time in West Dorset (it is actually West Bay), where David Tennant and Olivia Coleman prove to be the world’s most incompetent detectives. ‘Whose is this mobile number?’ asks DI Hardy (Tennant). Instead of using the full analytic capabilities of the police they muse about it for a whole episode. Like Michael Gambon, David Tennant seems to have a mystery terminal illness which is alluded to but which he never goes for treatment for (come on, I don’t think Dorchester Hospital is that bad). Other viewers have christened it ‘BoredChurch’. However, if you watch it in the right frame of mind it is not boring. One is kept on one’s toes waiting for the next improbable event to occur. A good example: DI Hardy has a previous incompetent case under his belt – a pair of murders. The chief suspect, who got off at the trial, is a man who looks just like Clint Eastwood in Dirty Harry mode (same quiff). He also looks as though he’s been training for a weighlifting contest and spends most of the episodes doing shift work hammering in fence posts on the Dorset coast. Despite this, when the rather unfit looking father of the (previously) murdered girl finds him, he ends up on the ground helpless, getting kicked and punched, when DI Hardy races along the cliffs to his rescue. All characters spend a lot of time on the cliffs or the beach, staring moodily out over Lyme Bay. Even DI Hardy, one night when he can’t sleep wanders up the coast path to the house where the prosecuting counsel lives arriving at some ungodly hour to ask her to write his will for him. Has no one told him that a solicitor costs less than a Queen's counsel?
But there is, or was, hope. Namely, the wonderfully acted series three of Last Tango in Halifax. Derek Jacobi, Anne Reid, Sarah Lancashire, Nicola Walker in top form, and a script which is pared down Yorkshire and blackly funny. We’ve just seen the last episode. Can’t wait for the next series.
Yet more wintertime TV drama is on its way. Indian Summers will be set in Raj India of the 1930s, in Shimla we believe. It will star Julie Walters and is rumoured to be good. J K Rowling’s suburban thriller, The Casual Vacancy, is coming soon. None of this is helping couch potatoes of course, but the target audience is possibly a little different from the standard Soaps such as Eastenders, Coronation Street, Emmerdale, Holby City, Casualty, etc.
Finally among the recordings waiting in the wings (on the hard disc that is) is the new BBC adaptation of Hilary Mantel’s Booker winning sequence about Thomas Cromwell, Wolf Hall. It stars our current greatest actor Mark Rylance as Cromwell. Damian Lewis is Henry. I can’t comment because I am hoping that the twilight lasts long enough to catch up with it. Chuckle news this week is that the intrigues in and around Clarence House (the London home of Prince Charles and Camilla) are such that it is known to insiders as Wolf Hall.
In Poole we are fortunate to have the home of Bournemouth Symphony Orchestra (yes of course it is the Bournemouth Symphony Orchestra but it is based in Poole). I went to the BSO on Wednesday. Very good concert with the programme of: Sibelius Spring tone poem, Grieg piano concerto (by Grieg for those who remember Andre Previn and Morecambe and Wise) played by Alessandro Taverna, 3rd placed in the last Leeds competition. Bit of a heartthrob. I feel that younger females would have been impressed with his attack, lyricism, pianism or some similar attribute. He obligingly played some lovely Chopin as an encore. Rachmaninov Symphonic dances in the second half. The conductor like some policemen looked very young (even younger than Kirill Karabits, the BSO’s principal conductor). His name is Joshua Weilerstein.
So, as Garrison Keillor would say, that’s the news from Poole and I hope you enjoyed this brief Poole Home Companion. If you are in Australia (Kim), the USA (Tod, Alex) or Canada (Clarkson Family) I expect many of these TV adventures are on their way to you and I hope you feel prepared...
In the meantime, enjoy these pictures of Poole this morning. Taken at the RSPB boat trip around Poole Harbour (42 species identified including the very rare black guillemot). See our dramatic snowfall (!) last Tuesday...
Twilight lasts longer at 50 degrees north (Poole) than the continent, the US, Canada, or even Australia. Not as long of course as Scotland, Iceland, or Svalbard. But it still can be trying as the cold dry north winds of this week, and even some snow in Dorset, make us focus on what else might be around to entertain us.
Svalbard is on people’s lips these days, thanks to Sky Atlantic’s mega-series Fortitude. Set in the mythical arctic town of Fortitude, it’s actually filmed in Iceland (complete with extra snow carted in from England in view of the mild Icelandic climate during filming). So far the outstanding feature is the scenery. We are asked to believe that the temperature is around minus 30 degrees. This therefore strains one’s disbelief a bit during some of the obligatory sex scenes. There is outdoor (well, in a shed with the door open) coupling. The big black guy who is the local helicopter pilot seems appropriately dressed in a massive down suit (apart from dropping his trousers) but the attractive Spanish barmaid seems to be risking hypothermia or possibly labiovulval frostbite. Having visited Svalbard I can confirm that residents do carry rifles around with them, but not in downtown Longyearbyen, and I didn’t see any 10 year old girls hefting guns on their shoulders. The plotlines seem a bit ludicrous (Sophie Grabol who is the Governor is desperate to build an ice hotel in the glacier. Has nobody told her that glaciers move?). A little boy has developed a mystery febrile illness which rendered him unconscious. “Nothing rots here” says one character. “It’s a perfect forensic laboratory”. Just as well in view of the grisly murder perpetrated in episode one. But I think he’s referring to the mystery illness. It’s a documented fact that the great flu pandemic of 1918 to 1920 killed victims who are buried in the permafrost in Svalbard, but when they exhumed the bodies to try and isolate it the virus irritatingly refused to come to life. Finally the other item which has emerged from the glacier where Sophie longs to build is a partly preserved mammoth. Michael Gambon who is a naturalist photographer with a terminal illness is threatened by the Governor with expulsion if he goes around shouting about his discoveries. “You are not allowed to die here, you know” she tells him. Not true. You can die in Svalbard but you get shipped back to the mainland for burial. Jessica Raine, Christopher Eccleston and others contribute. We await events...
Meanwhile, in the arctic twilight of Poole Lindsay keeps disappearing to watch Silent Witness, where Emilia Fox wrinkles her nose in that attractive way of hers at another grisly discovery, but having started my Charlotte Brontë novel, Shirley, I have preferred to finish it, even if there is quite a bit of literary excess (it may not surprise you that the heroines get married in the end, one of the few ways of ending a novel written by a woman in the first half of the 19th century). Digressing about Shirley for a moment, one of the most remarkable and tragic facts about the novel is that during 1848 and 1849 when Charlotte was writing it, she nursed in succession, her brother Branwell, her sister Emily, and her final remaining sibling Anne, who all died from tuberculosis within the space of nine months. Charlotte survived only another six years.
And we are still in touch with Broadchurch, another mythical town, this time in West Dorset (it is actually West Bay), where David Tennant and Olivia Coleman prove to be the world’s most incompetent detectives. ‘Whose is this mobile number?’ asks DI Hardy (Tennant). Instead of using the full analytic capabilities of the police they muse about it for a whole episode. Like Michael Gambon, David Tennant seems to have a mystery terminal illness which is alluded to but which he never goes for treatment for (come on, I don’t think Dorchester Hospital is that bad). Other viewers have christened it ‘BoredChurch’. However, if you watch it in the right frame of mind it is not boring. One is kept on one’s toes waiting for the next improbable event to occur. A good example: DI Hardy has a previous incompetent case under his belt – a pair of murders. The chief suspect, who got off at the trial, is a man who looks just like Clint Eastwood in Dirty Harry mode (same quiff). He also looks as though he’s been training for a weighlifting contest and spends most of the episodes doing shift work hammering in fence posts on the Dorset coast. Despite this, when the rather unfit looking father of the (previously) murdered girl finds him, he ends up on the ground helpless, getting kicked and punched, when DI Hardy races along the cliffs to his rescue. All characters spend a lot of time on the cliffs or the beach, staring moodily out over Lyme Bay. Even DI Hardy, one night when he can’t sleep wanders up the coast path to the house where the prosecuting counsel lives arriving at some ungodly hour to ask her to write his will for him. Has no one told him that a solicitor costs less than a Queen's counsel?
But there is, or was, hope. Namely, the wonderfully acted series three of Last Tango in Halifax. Derek Jacobi, Anne Reid, Sarah Lancashire, Nicola Walker in top form, and a script which is pared down Yorkshire and blackly funny. We’ve just seen the last episode. Can’t wait for the next series.
Yet more wintertime TV drama is on its way. Indian Summers will be set in Raj India of the 1930s, in Shimla we believe. It will star Julie Walters and is rumoured to be good. J K Rowling’s suburban thriller, The Casual Vacancy, is coming soon. None of this is helping couch potatoes of course, but the target audience is possibly a little different from the standard Soaps such as Eastenders, Coronation Street, Emmerdale, Holby City, Casualty, etc.
Finally among the recordings waiting in the wings (on the hard disc that is) is the new BBC adaptation of Hilary Mantel’s Booker winning sequence about Thomas Cromwell, Wolf Hall. It stars our current greatest actor Mark Rylance as Cromwell. Damian Lewis is Henry. I can’t comment because I am hoping that the twilight lasts long enough to catch up with it. Chuckle news this week is that the intrigues in and around Clarence House (the London home of Prince Charles and Camilla) are such that it is known to insiders as Wolf Hall.
In Poole we are fortunate to have the home of Bournemouth Symphony Orchestra (yes of course it is the Bournemouth Symphony Orchestra but it is based in Poole). I went to the BSO on Wednesday. Very good concert with the programme of: Sibelius Spring tone poem, Grieg piano concerto (by Grieg for those who remember Andre Previn and Morecambe and Wise) played by Alessandro Taverna, 3rd placed in the last Leeds competition. Bit of a heartthrob. I feel that younger females would have been impressed with his attack, lyricism, pianism or some similar attribute. He obligingly played some lovely Chopin as an encore. Rachmaninov Symphonic dances in the second half. The conductor like some policemen looked very young (even younger than Kirill Karabits, the BSO’s principal conductor). His name is Joshua Weilerstein.
So, as Garrison Keillor would say, that’s the news from Poole and I hope you enjoyed this brief Poole Home Companion. If you are in Australia (Kim), the USA (Tod, Alex) or Canada (Clarkson Family) I expect many of these TV adventures are on their way to you and I hope you feel prepared...
In the meantime, enjoy these pictures of Poole this morning. Taken at the RSPB boat trip around Poole Harbour (42 species identified including the very rare black guillemot). See our dramatic snowfall (!) last Tuesday...
| Quite a contrast at Poole Quay |
| The new fast trimaran |
| Poole Harbour Entrance & Black Guillemot (see below) |
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| Honest! It's a Black Guillemot |
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| The massive Dorset snowfall of February 3rd 2015 |
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| Dorset snow! |
Goodbye for now... all downhill from here!
Tuesday, November 4, 2014
Trekking in the Simien Mountains, Ethiopia
Trek 8th to 12th October 2014
This account is both encouragement and caveat for those
wishing to visit this remote and beautiful area. It is still a place which few people
visit. 18,000 visited in 2013. If that sounds a lot consider that the only
comparable area National Park in Britain in terms of size – the Norfolk Broads,
experience exactly 400 times as many visitors per year. As a result, the habitat and the wildlife of
the Simiens is almost undisturbed, and some remarkable animals and birds can be
seen. There are pressures on the Simien
Mountain national park, of course, such as encroachment of farmers, but it
remains a fabulous place, with a landscape of unusual beauty, suggestive of an
‘other-worldly’ character, such that one finds oneself imagining an episode of
Doctor Who or Planet of the Apes being filmed here, so unusual is the scenery. Thrown up by ancient volcanic eruptions, the
mountains are green to the top (only about 13 degrees of latitude north of the
equator) and steep sided, the cliffs often plunging a thousand metres from the
escarpment. Please admire the photos, but if you like walking and you are considering the Simien Mountains, read on.
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| Xerxes, Philippa, Lindsay, Andrew |
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| Meskel flowers, rain approaching |
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| Melaku, our guide. Melaku means 'Angel' |
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| Our tents at the Geech campsite, a windswept altiplano at 3600m |
| The cooks' hut, Geech |
| Standards! Menber puts his whites on for dinner |
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| Crossing the Jinbar river. A tranquil scene but the force of the water was tremendous |
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| Walking through the uplands and giant lobelias |
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| Tawny eagle and thick-billed raven |
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| Gelada baboon. Despite their name they are closer to monkeys than baboons |
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| Walia ibex, above Chennek |
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| Looking down one of the canyons from about 3900m |
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| Child shepherds, above Chennek |
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| Distant lowland village |
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| Sunset from Kheda Dit |
We arrive in Debark, a small town near the park, as most trekkers do, from Gondar, itself quite an unusual town. The Ethiopian capital was here during the seventeenth century, and each king built himself a slightly different castle. The centre of rule lingered on here until the nineteenth century before shifting to Addis. There are four of us, keen walkers, but not in the first flush of youth: Andrew (66), Lindsay (61), Xerxes (64), Philippa (59).
This is how, taken from my diary, the experience unfolded:
Wednesday. The road from Gondar to Debark is about 100Km in a north-northeast
direction and is good quality tarmac.
Our guide from the tour company Ethio Guzo is the somewhat Rasta looking
Wirku (it means Gold in Amharic). Poor
Gold started as a street urchin and shoe-shine boy in Debark; was assisted by a
Dutch tour guide to get some schooling and is now in a fairly responsible position. Unfortunately he needs a little advice on how
best to get on and get ahead, but more of that later. From Gondar we have taken a chef (Menber) and
his equipment. There is a rotation
booking system for guides to the Simien Mountains National Park, but Melaku
(Angel) our guide is a freelance who was obviously booked by Ethio Guzo. He sorts out the paperwork for our permits –
this is really fairly quick and easy (500 Birr per head for Europeans and it
looks like 200 for locals) – and we also pick up an aged scout called Mohammed
who is hefting an antique looking bolt action rifle. We turn off the tarmac and onto the dirt road
through what seems to be the main street of Debark; dirt, dust and dung, and
head off to the park gate, some 15Km up the track. Paperwork is checked and we’re in. The dirt road has stone and gravel surfacings
for the most part, but the quality is not good, and frequent rains produce
erosion and channels in the surface.
Debark itself is high, 2850m, and our first camp site (Sankaber) is at
around 3260m. After about an hour on the
road from Debark, Melaku, Mohammed, and we four trekkers get down and start
walking. Our route is more or less
parallel to the track, but there are detours to the edge of the mountain ridge
with great views. The vegetation is largely
giant tree heather, reminiscent of the cloud forest on La Gomera in the
Canaries. Spanish Moss drips from it. There are many plants we can see in Europe in
evidence, particularly cistus, scabious, and dwarf hebes. There are flowers which look a little like
yellow marguerites, but are the very widespread endemic Meskel flowers, symbol
of the Ethiopian New Year, which takes place in late September. Sightings include thick-billed raven,
lammergeyer, augur buzzard, and a troop of Gelada baboons. After less than three hours, during which we
receive some persistent rain we reach Sankaber camp. My diary, generally brief, says ‘Good
tent. Terrible latrine. No running water.’ Distance approximately 4 miles. Slow because quite breathless at 3200m,
despite Diamox (acetazolamide). At least
no headaches. We have only been in
Ethiopia for four days.
There are only a few ‘approved’ camp sites in the Simien
Mountains. Everybody has to camp in
these places. There are wolves, jackals,
and the occasional leopard, so it is not wise to take a chance on it. One reason for the scouts is therefore
protection. We find out later that they
have a rota for checking the camp through the night. The approved sites have nothing particular to
recommend them. The latrines are
appalling. Even on army manoeuvres, when
digging a latrine we were always instructed to leave the excavated soil to
cover the excrement. Here the soil has
been taken away. Enough said. There are usually one or two little round
corrugated iron huts, where the cooks can prepare and cook food undercover. All equipment, food, and water has to be
brought in. I note that the stoves are
propane rather than butane (more appropriate for low temperatures).
Thursday. Not a very comfortable night, and it rained heavily. Breakfast of pancake and honey and leave
about 0810. Menber did a good job of
creating a one cooking pot meal the previous evening, but I can’t remember what
it was. He makes some soup every evening
and then adds something else.
We wind around the ridges with great views, coming down to a
viewpoint above the spectacular Jinbar Falls, where the river plunges 500m over
the edge of the plateau. From here it is
steeply up the hillside, past stupendous fall-away views of steep grass slopes
covered in places by kniphophia (red hot poker) flowers, and troops of baboons
scratching at the grasslands for grubs.
Beyond the grass slopes the walls of the mountains fall away on their
northern side for a thousand metres to the undulating plains below. In the canyon below the Jinbar falls there
are circling griffon vultures, lammergeyer, and swifts. Further on we see alpine chat, black-headed
siskin, yellow bishop, grey-necked sparrow and wattled ibis. There is a very long ascent, perhaps 500 to
600m past the village of Geech with its few circular mud and wood and stone
huts to the plateau of Geech camp, at 3620m.
Total distance walked about 8 miles, 470m of down and 870m up. Because of the heavy rains the water in the
Jinbar river is fast and deep and we elect to cross by mule, paying 50 Birr
each to do so (32 Birr = £1). Before
descending to the river we come across a famous local musician playing his
one-stringed violin. At least the guide
tells us he is famous.
At the camp there is great excitement because there is a
large party from Exodus present and two of the scouts have killed a sheep for
their supper. We don’t get any mutton to
eat ourselves, but in view of a subsequent experience at the hotel in the
Gheralta (Gheralta Lodge) I realise that we didn’t miss much. Quite how they can make the meat tougher than
boot leather is a conundrum...
The offal and blood bring lammergeyer and tawny eagle to the
party, together with dozens of ravens (collective noun an ‘unkindness’ of
ravens). There is a lovely sunset.
I suspect I must have felt rather better today, for at least
I made a note of Menber’s menu for tonight.
It was tomato soup followed by a hash of pasta, vegetables, potato and
fried aubergine. After dark there are
several hours of distant thunderstorms, lightning, and then later in the night,
more rain.
At about 5 am there begins a general murmuring of scouts and
cookboys around the camp. From 6 a
cockerel begins, but he is silent after a few minutes (is he saving energy or
is he headed for a cooking pot?). The
now familiar barking of ravens begins at daylight. By 7 am there is a little sunshine on the
tent and it seems propitious to get up.
Geech is a much larger area than Sankaber. It’s an altiplano really. Hobbled mules graze. There are cows and sheep from the
village. And there are a lot of
tents. We’ve been joined by a large
German group.
Today, Friday, is a more leisurely excursion because we are scheduled
to spend another night at Geech. We walk
gently uphill towards the NE along the spine of the Simiens to a lofty peak at
Imet Gogo, at about 3900m. In view of
the mist Melaku does not attempt the final scramble up the boulders to the end
of the peak, about 30m higher. The view
is nonetheless spectacular. We then walk
along the edge of the abyss back to the west passing the gorge of Sinha. Unfortunately by the time we reach the gorge
we are being pelted by rain and hail.
Sightings of Thekla’s lark, wattle ibis, scraper thrush, lammergeyer,
augur buzzard. Back at camp the bushes
around are populated by the endemic black-headed Ethiopian siskin. The landscape has taken on that other
planetary feel, as we walk through giant lobelias back to camp. Lunch is Ethiopian – injera (the ghastly
pancake bread), wot, shiro, potatoes in tomato and chilli sauce. 5.9 miles, ascent to 3903m.
In the afternoon we walk down to the local village which we
passed on the previous day. The idea is
to visit a villager who will perform the ritual coffee preparation ceremony for
us. Wirku doesn’t seem to be too certain
which of the villagers will do this and it’s the third hut that we come to that
contains the lady of the manor (so to speak) who will take the time to do
it. In view of what we give her in
Ethiopian Birr (200 Birr is about 10 US dollars or £6.50, a huge amount of
money in Ethiopia) I’m surprised that the villagers aren’t all clamouring
outside their huts for us to go in. One
of our party is bird phobic, so we have to chase the chickens out before we
start. It is daytime so the other
residents of the hut (cows, donkey, goats) are already outside. There is a cat too which is presumably useful
because the area must be rat infested.
In the gloom, lit only by a wood fire, the lady who thinks that she must
be about 25 years old, but is only guessing because she only has three children
as yet, takes a shallow iron dish and places it on the trivet over the
fire. Then she washes the coffee
beans. Then they are roasted on the
dish. Using a wooden pestle and mortar
she grinds the coffee and puts a kettle onto the fire. The ground coffee is put directly into the
kettle once the water is boiling. Bear
in mind that we are at 3500m so the water temperature is about 88°C. She washes out some tiny cups, wiping them
with a cloth (oh dear) and pours in the coffee.
Finally she pushes a few embers from the fire forward into the dust and
puts a few crystals of frankincense on it.
Ethiopian coffee is muddy and not harsh with a gentle roast
flavour. It seems to taste better as
black coffee...
In the evening, Melaku, a Dutch trekker from another group, and I walk up to Kheda Dit – a walk of about 30 minutes. Kheda Dit sits on the northern flank of the Simiens, and serried rows of mountains and hills can be seen as far as the eye can take one to the west. The sunset is worth the visit, the rows of hills assuming differing shades of grey, blue, or pink as the day draws to a close. Well before sunset there is another phenomenon which is worth seeing (it can also be seen from our next camp, Chennek). This is the nightly procession of Gelada baboons to the cliff edge, from which they jump, climb, and swing in a manner which would put an Olympic gymnast to shame, down the cliff faces and steep grassy banks and into caves set into the sheer rock of the Simien wall. In here they must be free from even the most ambitious of predators.
Saturday. The next day we make a prompt start at 0810hrs. It has been an extremely cold night. The stars with the Milky Way evident were
magnificent, but the morning is icy and we are all up early to don more clothes
and get warm. Although the cooks and
scouts try to keep a fire going the thin air and poor quality of the wood makes
it difficult. The coffee lady could
teach them a thing or two. The night is
also interrupted; I think I speak for all of us, by visits outside the tent to
pass urine. This is a known side effect
of the acetazolamide, which acts as a diuretic.
Another bizarre effect which most people seem to get is the buzzing
paraesthesia (medical word meaning tingling feeling) due to changes in nerve
function. I can liken this most closely
to the feeling that you might get if you use a power tool such as a garden
strimmer for too long. On the plus side,
although a little puffed when walking uphill, none of us has had high altitude
headache, which I have definitely had at similar altitudes when not taking
acetazolamide.
A gentle ascent back towards Imet Gogo, then a fork right
towards the southeast and a long trek down along the edge of the
escarpment. At the bottom, two of our
party who found the ascent very tough two days beforehand get onto the
pre-arranged mules for the 470m climb to our lunch spot, at something over
4000m. I walk slowly up the muddy area
with tree heather overhanging until about 150m higher, the terrain becomes more
open and the giant lobelias take over.
This is genuine Planet of the Apes landscape. It would be wrong to call it lunar, because
there is vegetation. One can imagine a
Star Trek astronaut saying ‘It’s our planet all right, Captain, but not as we
know it.’
It’s now mostly down and we reach the road about 200m below
Chennek camp. 8.35 miles, 5 hours of
walking. Current elevation 3630m; 700m
of ascent and descent. Sightings of
lammergeyer, swift, raven, white-billed starling, brown rumped seed eater,
pigeon, dusky turtle dove, and weavers.
A klipspringer bounded away in the distance near Imet Gogo, but as yet
we haven’t seen the famed Walia ibex.
The last thirty minutes or so of descent are in heavy rain
and we feel a bit miserable and gloomy when we arrive in Chennek, as per the
usual dismal facilities (hole in the ground, no running water) but we have some
tea, coffee, popcorn, and biscuit in the cook’s shack. After a while the rain stops and there is
even some sunshine. The cook is keen to
get us fed, so at 630pm we eat soup, Russian salad, pasta, egg and mushroom. By 8 o’clock there is nothing else for it but
to turn in. As we settle into bed Wirku
informs us that there is no accommodation for Melaku, and his own tent is cold
and wet inside, so he would like to borrow our blankets. We yield them: it’s not as cold as the
previous night.
Sunday. The next day starts badly.
Wirku announces that he didn’t sleep well and has had a bad headache for
several nights. It turns out that
although he has made day trips to the Simiens he has not done one of these
treks before. His presence hasn’t really
assisted us. He has a tendency to
buttonhole our guide Melaku, walking on ahead and chatting in Amharic, so that
we have to push hard to catch up. He is
22 years old, exactly one third of my own age, and although he has had a tough
life he needs to get a bit of maturity and judgement into him. It doesn’t help that he has allowed us to pay
his way in restaurants and bars (it’s not a huge expense but it’s not Ethio
Guzo’s policy) and occasionally makes far too obvious hints such as ‘I don’t
have a watch’, or ‘Will you be needing those poles when you’ve finished your
trekking?’ I genuinely feel sorry for
him, but it’s probably the company who are to blame in that he needs to learn
how to do his job by example and tutelage rather than on his own. Wirku implies, as indeed he did the night
before, that we don’t need to do our final early morning start and trek to the
summit of Buwa Hit; that he has booked the transport for 10am, and we should
all head back to Gondar. Our itinerary
clearly says that those of us who would like to should make an early start and
trek to the summit of the mountain, about 800 to 900m of ascent, for great
views of the Simiens, possible sightings of Walia ibex, and a final
achievement. Melaku has obviously been
briefed to lead this, ignores Wirku, and he, Philippa and I set off for the
climb. Lindsay and Xerxes decide on a
leisurely morning in camp with some exploration, and animal and bird watching.
Essentially our route is straight up. Mostly it follows the dirt road towards a high mountain pass, cutting off some of the hairpin bends, and finally leaving
the track for the final push. We could
have left at 7 but the cook is not keen to be out in the cold any earlier than
6.30, so we are ready to depart at 7.30.
As we prepare to leave, we notice two little girls sitting by the edge
of our camp. They look about 8 and 6,
but turn out to be about 3 years older.
The younger one has an ulcer on her foot. This must be something unusual even for the
local people because apparently they don’t usually come for help. On the dorsum of the little girl’s foot is a
punched out ulcer, about 4 by 6cm, clean down to the muscle. It looks like a third degree burn, but is
not. It started as a small lesion and
then spread. There is infected slough on
the site, so we clean it, treat it with fucidin ointment, and put a clean dressing
on it. My best guess is a Buruli ulcer,
a disease caused by a bacterium similar to TB.
If so the fucidin will not help.
There is a free government clinic a day or so away where they can go,
and this is what we ask the guide to tell them...
The hike up to Buwa Hit (which we christen Bugger Dit) takes about two and a half
hours. At the top, another two little
girls are selling some trinkets and Pepsi Cola.
We buy something. The cloud comes
in and we miss the view of the highest Ethiopian peak, but we are only about
100m lower, at 4400m. On the way down we
have all the time in the world to chat, but no breath at all on the way
up. Back on the track, with only about
30 minutes to go to camp, the trouble starts.
A 4x4 roars up the road and stops.
It’s Wirku. ‘You guys had
enough? Want a ride?’ Melaku seems unimpressed and suggests we keep
on walking at least until he turns round, no easy feat on this road. Behind us we hear the noise of a screaming
clutch and wheels scrabbling for purchase.
Eventually it’s clear that Wirku either can’t start the car or turn it
round. Melaku sensibly sends Mohammed
running on down to camp to alert the others.
Pretty soon the cook and the driver appear. They are furious. Apparently Wirku (you will remember that his
name means Gold; Xerxes has long since christened him G.B.) was itching to get
home. The driver was an hour later than
expected. There should be two cars and
not one. As soon as the driver got out,
Wirku got in without asking and roared up the track to cut short our walk and
pick us up. Now he’s stuck, the car is
possibly damaged – hopefully only superficially – and God knows what he’s done
to the clutch.
In the meantime Melaku
detours from the road and we are rewarded with the sight of one of the world’s
rarest animals. Some 200m away, a
magnificent male Walia ibex is grazing unconcernedly with his harem of 7
ladies. As we walk on down, they are so
focused on the grass that we can get much closer still and movie footage as
they too meander gradually downhill, eventually crossing the ridge and
disappearing. Back in camp the
atmosphere is not good. Two cars were
ordered to arrive at 10. Only one
arrived, and that well after 11am. Wirku
was furious. Hence his ‘TDA’ (taking and
driving away). Other cars arrive but can’t
help. Lindsay tips a driver 100 Birr to
head up the road to see if he can help.
Eventually, some 30 minutes after we get back, two cars come down. Wirku seems unrepentant, but he’s smashed the
left rear bumper and bashed the bull bars.
A furious discussion ensues. The
driver says the cook will have to stay behind.
The cook refuses. A compromise is
reached whereby the poor cook’s boy stays, nine of us get into the Landcruiser,
the kitchen and camping gear is tied to the roof, and others arrange themselves
around our bags. Needless to say, as the
final loading takes place, rain begins.
It turns to hail. Off we go. The tyres have a little bit of tread left,
but would clearly be illegal in the UK.
We grind to a halt three times, the vehicle unable to climb the wet
rocks and gravel. Most of us get out and
walk up the hills. Some are so squashed
up in the back that it would take ten minutes to extricate them so they stay,
but fortunately the vehicle just makes it.
We’re wet, pelted with hailstones, and some of the mud inevitably covers
our clothes as we slog up the track.
After three steep sections the gradient levels somewhat, the calibre of
the gravel is smaller and gives more traction, and we’re back in the vehicle
for the long grind to the park gate, which we christen ‘Depark’ and now only
15Km to ‘Debark’. At the park office it’s
sad to say goodbye to Melaku, a calm and knowledgeable guide, and to Mohammed,
who with his trusty gun was always at the rear to help the stragglers. Having sat four in the back Lindsay makes it
clear that Wirku can climb into the luggage compartment with Menber. Eventually we are back at Fasil Lodge in
Gondar at 6.15pm, darkness falling fast.
Fasil Lodge, run by a lovely family, seemed rather ‘low rent’ when we
first checked in before our Simien experience.
Now it seems like paradise.
I wasn’t well enough to join the others at the Four Sisters
restaurant last time we were in Gondar, but now off we go for some St George’s
and Dashen beers and a good buffet. The
four sisters who run it are an interesting crew. The two most obvious and pretty ones are
front of house. One trips back and forth between the restaurant and the kitchen. The fattest one, all
smiles and bonhomie, works the cash till.
‘It ain’t over until the Fat Lady rings,’ someone observes. A touch of euphoria there I fancy.
They say that ‘Adventure is hardship recollected in
tranquillity,’ and this applies to our Simien Mountains trek. A beautiful and fragile environment. The government is paying villagers to
relocate to return some of the land to the wilderness that it once was, which
would give greater habitat areas to the endangered species within it. But controlling it in a better way would
allow the creation of some higher quality lodges within it, the digging and
maintenance of proper septic tanks, and a limited service industry for those
who want to trek there. The Ethiopian
Government could achieve what it wants for the park and yet sustain an
eco-friendly tourist industry.
As an addendum, I would mention that on return to Fasil
Lodge that evening, the receptionist is looking for me and acting on
instructions calls Ethio Guzo in Addis.
Steve Olsen, the Canadian CEO of the company is on the line. He has obviously heard something of what
transpired at Chennek. He’s unimpressed
by the behaviour of Wirku, and offers us another guide for the next week of our
trip. Despite some misgivings, it seems
unwise to persist with G.B. Xerxes is
delighted. I think we are all relieved,
and so within a day or so we meet up with Fekadu in Lalibela, who sees us
through the rest of the journey. So
Ethio Guzo sorted it, and overall we had a great Ethiopia experience. This diary is only concerned with the trekking. We went at what should have
been the start of the dry season, but the Simien Mountains are unpredictable,
and therein lies some of their beauty and charm. Try them.
Friday, October 24, 2014
The James plays
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